Posts Tagged ‘ Jeff Lorber Fusion ’

Jeff Lorber Fusion – The Drop

71v3vbzwqul._sx522_-1Jeff Lorber is one of the most sought-after keyboardists in the field of smooth jazz. His signature can be found on hundreds of albums in this genre. But his heart still beats for fusion jazz. His new album The Drop is therefore a project of the well-known formation Jeff Lorber Fusion.

Jeff Lorber has joined forces with his long-time musical colleague bassist Jimmy Haslip. He received further support from Gary Novak (drums), Cornelius Mims (bass), Randal Clark
(alto sax), Paul Jackson Jr. (rhythm guitar), Mark Lettieri (guitars), and David Mann (horn arrangements).

The album opens with the title song. A horn-loaded bass-powered fast running fire tune that brings to mind why we love Lorber’s music so much and what the Lorber factor is in music. Each of the instruments seems to have a life of its own and is bursting with energy. Randal Clark, who will soon release a new solo album, shows on sax an irrepressible capacity for expression.

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Jeff Lorber Fusion – The Drop

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“I think it’s easy to write music but it’s hard to write great music,” confesses trailblazing and Grammy-winning keyboardist, composer and producer, Jeff Lorber. “I am always looking for inspiration, and it doesn’t take much for me to drop whatever I’m doing to chase an idea for a new song if I hear something that inspires me.” A consummate musician, Lorber’s passion, technical wizardry, forward-thinking and earnest approach, and sheer musicianship, have inspired legions of musicians for over five decades. A groundbreaking Fender Rhodes pioneer along with Herbie Hancock, Joe Sample and Bob James, Jeff Lorber is also one of the most in-demand producers in Contemporary Jazz.

September 22, 2023, Lorber will release his latest inspired work on Shanachie Entertainment, The Drop, an album of originals which unites him with an all-star cast including bassist and longtime Jeff Lorber Fusion members bassist Jimmy Haslip and drummer Gary Novak, guitarists Paul Jackson, Jr. (also a member of Jazz Funk Soul with Lorber and Everette Harp), Snarky Puppy’s Marc Lettieri, bassist Cornelius Mims, drummer Gary Novak and saxophonist David Mann, among others. Lorber’s goal for his anticipated recording was simple. “I focus on making music that’s fun, exciting and fresh that I enjoy, and that I hope other people will feel uplifted and energized by when they listen to it,” shares Lorber, who is a big fan of audible and kindle books, with a keen interest in science fiction and detective books.

Jeff Lorber’s 30th album as a leader was truly a labor of love and adventure seeking opportunity. “I make it a point not to duplicate stuff that I’ve already done, but instead use each album I make as a chance to develop in new areas.” The Drop opens with the exhilarating title track and first single. Make no mistake Lorber and company came to play. thrilling opener feels like a live track rather than studio session. The soulful, bluesy, and head-nodding affair swings hard and Lorber’s keys leave nothing unsaid. It is as funky as it gets. Flanked by the hard-driving drums of Gary Novak, the horns of David Mann and Randal Clark and guitar of Paul Jackson Jr., the band locks in and does not let up. Continue reading

Jeff Lorber Fusion – Space-Time

space-timeKeyboard wizard Jeff Lorber has already pressed his idea of fusion jazz into the black grooves with his group Jeff Lorber Fusion in various lineups. With albums like the self-titled debut album (1977), followed by Soft Space (1978), Water Sign (1979), Wizard Island (1980), and Galaxian (1981) he has served the spirit of contemporary jazz for decades..

He continued this glorious period with albums such as Now Is The Time (2010), Galaxy (2011), Hacienda (2013), Step It Up (2015), the GRAMMY awarded Prototype (2017), and Impact (2018). On the new album Space-Time (2021) Jeff Lorber is joined by his longtime friends drummer Gary Novak and bassist Jimmy Haslip.

Further supporting musicians are flutist Hubert Laws, guitarists Paul Jackson, Jr., Michael Landau and Robben Ford, saxophonists Bob Mintzer, Dave Mann, Gary Meek and Gerald Albright (on bass). Bob Mintzer is thus back as on the previous albums, just not on all the tracks. The album opens with the title song, a sparkling up-tempo tune showcasing Lorber’s elegant keyboard play to the fullest. Lovers of Jeff’s Rhodes performance will be enchanted. Bob Mintzer on tenor sax takes over the melody line to a perfect finish.

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Jeff Lorber Fusion – Space-Time

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“I’m incredibly lucky to spend my time doing something that I love. When you are doing things that you enjoy, it is easy to spread those good vibes around,” shares Jeff Lorber. The down to earth and humble trailblazing Grammy-winning pianist, composer and producer has built an impressive four-decade career, transcending musical boundaries and honing his own uniquely identifiable sound.

A groundbreaking Fender Rhodes pioneer along with Herbie Hancock, Joe Sample and Bob James, Lorber is also one of the most in-demand producers in Contemporary Jazz. Maintaining a busy schedule during the pandemic this past year, Lorber worked on projects with Herb Alpert, Richard Elliot, Norman Brown and Alexander Zonjic, just to name a few.

“While working on all of these projects,” explains Jeff, “I was sending my manager Bud Harner stuff that I was writing and he was particularly enthusiastic when I sent him my now new single “Back Room” in demo form. His reaction really inspired me to want to focus on making my own record.” Continue reading

Mike Stern & Jeff Lorber Fusion – Eleven

GRAMMY Award-winning keyboardist/composer/producer Jeff Lorber recalls seeing guitarist Mike Stern during his much-ballyhooed tenure with Miles Davis in the early ‘80s. “I’ve been a fan of his for a long time,” said the keyboardist, who was touring hard in support of his hit records Wizard Island and It’s a Fact in those analog days. “Jeff Lorber Fusion and Miles Davis were playing some of the same festivals back then, so I got to hear him play.” For his part, Stern offered, “To be honest, I was aware of him, and had heard a bunch of good things, but I had never really checked him out. We were just in different orbits, me and Jeff.”

In subsequent years, each staked out his respective musical territory — Lorber, the electric maestro from Los Angeles, pioneering the post-fusion sound of contemporary jazz with his radio-friendly, groove-oriented instrumental music; Stern, the esteemed six-stringer from New York, lending his considerable chops to bands led by Jaco Pastorius, Michael Brecker and Joe Henderson as well as groups like Steps Ahead, Vital Information and the Brecker Brothers while also leading his own band and cutting 18 recordings under his own name.

Credit bassist-producer Jimmy Haslip, a charter member of Yellowjackets, with bringing these two seemingly disparate musical forces from opposite sides of the country together. And rather than being a musical Odd Couple, it turns out that Lorber and Stern fit hand-in-glove on the ten scintillating tracks that comprise Eleven, set for release on September 27, 2019 via Concord Jazz. (The title is a joking reference toThis Is Spinal Tap’s Nigel Tufnel, who proudly demonstrates in the 1984 movie how his amplifier has a volume knob that goes to eleven… “for when you need that extra push over the cliff.”) Continue reading

Jeff Lorber Fusion – Impact

After Jeff Lorber has achieved nearly everything in his solo career, the win of a GRAMMY for his Jeff Lorber Fusion recording Prototype in the category of Best Contemporary Instrumental Album was the ultimate acknowledgement of his music.

At the same time this was an incentive to make the next album even better. Keyboard wizard Lorber called again his friends Jimmy Haslip (bass) and Andy Snitzer (sax) to create the new project Impact (2018).

Of course, Lorber also relies on well-known professional musicians from his close circle such as drummers Gary Novak and John Roberts, guitarists Paul Jackson Jr., Michael Thompson and Adam Hawley, and horn specialist David Mann. A concept that has also carried his previous releases.

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Jeff Lorber Fusion – Impact

“I hope people listening to Impact will enjoy it as much as we did making it. The real completion of the album is when the fans get their hands on it and hopefully really dig it. We’re also looking forward to playing this material on the road, which will be a lot of fun,” concludes Jeff Lorber.  “I think it’s pretty solid. Lots of great playing by excellent musicians.. Gary Novak drums, Jimmy Haslip Bass, Andy Snitzer on sax.. It’s funky, melodic and fresh!”

Will this album have an Impact on you? Listen to it on Amazon.com.

Jeff Lorber Fusion – Prototype

Jeff Lorber is the most sought keyboardist of the smooth jazz genre, but his heart is still beating for fusion jazz. Influenced by groups like Mahavishnu Orchestra, Weather Report and Return to Forever he founded the group Jeff Lorber Fusion and released in 1977 the self-titled debut album. Soon followed Soft Space (1978), Water Sign (1979), Wizard Island (1980), and Galaxian (1981).

After a period of solo albums he returned to his centerpiece with Now Is The Time (2010), Galaxy (2011), Hacienda (2013), and Step It Up (2015) on Heads Up Records. Prototype is his first album on Shanachie Entertainment. The new group consists of keyboardist Jeff Lorber, bassist Jimmy Haslip and saxophonist Andy Snitzer.

Jeff explains: “I came up with the name Prototype because we are always trying to up our game and come up with new exciting music that could be a prototype or innovative harbinger for the future of our musical style.” The project begins with Hyperdrive, a horn driven funky loaded piece of excellence. The sonic fury of high speed jazz is the ultimate platform for Lorber’s progressive fusion act.

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Jeff Lorber Fusion – Prototype

Trailblazing pianist, composer, producer and bandleader Jeff Lorber is a consummate artist who continues to push himself to new plateaus. A groundbreaking Fender Rhodes pioneer along with the likes of Herbie Hancock, Joe Sample and Bob James, Lorber has triumphed as one of the most innovative musical minds in contemporary jazz. The multi Grammy-nominated pianist’s newest CD is a sterling example of his expansive musical roots, masterfully crafted harmonic and melodic sophistication, irresistible finger-poppin’ grooves and intricate rhythmic sense. “I came up with the name Prototype because we are always trying to up our game and come up with new exciting music that could be a prototype or innovative harbinger for the future of our musical style,” says the LA based pianist. Lorber, a Berklee College of Music alum who formerly majored in Chemistry at Boston College goes full throttle on Prototype, orchestrating like an alchemist in the lab concocting a majestic elixir of jazz, soul, funk, pop, R&B and gospel.

Prototype features longtime collaborators – bassist Jimmy Haslip (founding member of The Yellowjackets) and drummer Gary Novak. “From a production standpoint Jimmy adds a ‘big picture’ element. He contributes a lot with his warm bass sound and on the road he is without a doubt one of the finest soloists out there on his instrument.” Lorber adds, “Gary’s very versatile, imaginative, super solid and gets a great sound. He really shines playing over the funky polyrhythmic grooves we record.” The newest member to the all-star unit is saxophonist Andy Snitzer, who like Lorber (and the Brecker Brothers) hails from Cheltenham, PA. Lorber states, “Andy’s got a perfect approach. It’s soulful and melodic and he is not afraid of taking the music outside a bit.” Prototype also features special guests bassist Nathan East, guitarists Chuck Loeb, Larry Koonse and Paul Jackson, Jr. and saxophonist Dave Mann, among others.

“Writing is something that I really enjoy and I’m always coming up with ideas to work on,” states Jeff Lorber, who penned nine of the tracks on Prototype and co-wrote one with Jimmy Haslip. “We put a lot of work, love and care into this record. I hope that everyone who hears it enjoys listening to it as much as we enjoyed writing and recording it. I think it’s the kind of record that will reap dividends by repeated listening because there’s a lot of great playing that you can only appreciate by really getting into it and checking out all the details.” Prototype opens with the spunky and electrifying “Hyperdrive” hinting to the euphoric musical excursion that lies ahead. The track features guitarist and Jazz Funk Soul collaborator Chuck Loeb who calls Jeff “an amazing guy and talent.” Lorber says of bassist Nathan East, who also appears on the track, “Nathan played on ‘Hyperdrive’ because I originally wrote that for his project. He played great on it so we kept it. I have to thank him for not using the track because it’s one of my favorites and the first single!” The album’s title track is a spirited and pulsating mid-tempo blues. Lorber explains, “Blues is a huge part of our music and I think Andy really brings it home with his approach to the melodies and his solos.” Saxophonist Dave Mann offers a vibrant, smoothly executed and feel-good horn arrangement on this track as well as six others. “The shout chorus on ‘Prototype’ is great,” comments Lorber. “I’m glad to also feature guitarist Michael Thompson who plays a stellar solo on the end of the song.” Continue reading

Jeff Lorber Fusion – Step It Up

Fresh off collaborations with Chuck Loeb and Carol Duboc, Jeff Lorber is at it again, this time with Jimmy Haslip as his co-producer. Step It Up by Jeff Lorber Fusion (Heads Up International, 2015) continues Lorber’s tradition multi-genre excellence.

Lorber handles keyboards, and on selected tracks some combination of guitar, bass and Moog bass. Haslip handles bass on all but one track. Other musicians who contribute are Ash Soan, drums; Gary Meek, tenor and soprano saxophones; David Mann, horn section and horn arrangement; Lenny Castro, congas; Paul Jackson Jr., guitar; Claus Martin, sequences; Vinnie Colaiuta, drums; Bob Mintzer, tenor saxophone; Michael Thompson, guitar; Robben Ford, guitar; Gary Novak, drums; and Larry Koonse, guitar.

The set begins with the lively “Get Up.” Aided by Soan, Meek, Mann and Castro, Lorber and Haslip thrill. The title could be a command to the audience to get up out of your seats and dance. It’s a bright, put a smile on your face song, highlighted by a few phrases where Lorber opts for the piano.

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