Posts Tagged ‘ Fusion Jazz ’

Jeff Lorber Fusion – Impact

After Jeff Lorber has achieved nearly everything in his solo career, the win of a GRAMMY for his Jeff Lorber Fusion recording Prototype in the category of Best Contemporary Instrumental Album was the ultimate acknowledgement of his music.

At the same time this was an incentive to make the next album even better. Keyboard wizard Lorber called again his friends Jimmy Haslip (bass) and Andy Snitzer (sax) to create the new project Impact (2018).

Of course, Lorber also relies on well-known professional musicians from his close circle such as drummers Gary Novak and John Roberts, guitarists Paul Jackson Jr., Michael Thompson and Adam Hawley, and horn specialist David Mann. A concept that has also carried his previous releases.

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Pelle Fridell – Soul Go Jaz

Born in Stockholm, Sweden and since 1993 resident in Copenhagen, Denmark,  saxophonist Pelle Fridell can look back on an exquisite list of top musicians with whom he has already performed together. Among them are Toots Thielemans, Randy Brecker, Sir Charlie Watts, Tom Waits, Ivan Lins, Angelique Kidjo, Georgie Fame, Geir Lysne, Chris Potter, Michael Mantler and more.

Pelle has already released five solo albums. Soul Go Jaz (2018) is the latest release in the Go Jaz series with Go Jaz (2002) and More Go Jaz (2011). Pelle performs on his album sax, flutes, bass-clarinet, keys, programming. Additional artists are Tim Lutte, Niclas Campagnol (drums), Søren Reiff (guitar), Lars Danielsson ( bass), Mads Storm (Rhodes, piano), Jesper Christenson (Wurlitzer, piano), and Michael Mølhede (trumpet).

The starter of the album, For The Ladies, presents Fridell in the best light. He performs the sax with great passion and emotion. Marvin Gaye could be the inspiration for his saxual approach. On Johanna he hits the sweet spot with his graceful flute in combination with sax burning the notes in a fast run.

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The Lao Tizer Band – Songs From The Swinghouse

“Jazz Group of the Year” nominee, The Lao Tizer Band, present their long-awaited new album & film (CD & DVD combo-pack)! This epic project was recorded all “Live in the Studio” at famed Conway Studios in Hollywood, CA with an all-star cast of musicians! Produced by former “Best New Jazz Artist” nominee keyboardist, composer and bandleader, Lao Tizer, the project includes 11 breathtaking Jazz-Rock-Fusion tracks featuring 7 new original instrumentals, and for the first time, 3 vocal covers (CD only) of Led Zeppelin, U2 & Cat Stevens, all documented in simultaneous 8-camera array of HD video under the direction of acclaimed music film director, Andy LaViolette (Snarky Puppy, David Crosby). Recorded, mixed and mastered by Grammy nominated engineer, Paul Wickliffe (Kevin Eubanks, Special EFX), the recording captures the dynamic range and energy of this touring juggernaut.

The band features a cast of all-star musicians on the forthcoming album & film:

– Karen Briggs – violin (Yanni, Diana Ross)
– Eric Marienthal – sax (Grammy winner, Chick Corea, Rippingtons)
– Chieli Minucci – guitar (Grammy nominee & Emmy winner, Special EFX)
– Munyungo Jackson – percussion (Stevie Wonder, Miles Davis)
– Ric Fierabracci – bass (Grammy nominee, Bill Cobham, Blood Sweat & Tears)
– Tita Hutchison – vocals (Foreigner, Rick Rubin)
– Jeff Marshall – guitar (Bo Bice)
– Gene Coye – drums (Grammy nominee, Larry Carlton, Terrence Blanchard)
– Steve Nieves – sax (Loggins & Messina, Olivia Newton-John)
– Cheikh N’Doye – bass (Mike Stern, Baaba Maal)
– Lao Tizer – piano & keys, bandleader-composer, producer (former “Best New Jazz Artist” nominee, Down To The Bone)

This project will be released March 16, 2018.

Cody Carpenter – Cody Carpenter’s Interdependence

Cody Carpenter, the son of movie genius John Carpenter, steps out the huge shadow of his father. In addition to contributing music for two of his father’s films, Vampires (1998) and Ghosts of Mars (2001), Carpenter composed and performed the full-length score for “Cigarette Burns” and “Pro-Life” in Showtime’s Masters of Horror (2005) movie series.  Cody co-wrote, co-produced, and performed on the acclaimed Lost Themes (2015) and Lost Themes II (2016) with his father and Daniel Davies.

One can meet Cody under his alter ego “Ludrium”. Infiltrate The Mother Ship for example offers progressive rock, game music, fusion, and synth stylings. His newest solo project is Cody Carpenter’s Interdependence, released in 2018 on Blue Canon Records.

Cody planed to create this time music in the jazz rock realm. So he first contacted bass player Jimmy Haslip, with whom he already worked some years ago. Influenced by the early Genesis and keyboardist Keith Emmerson he wanted to try something in that direction. While on the albums by Ludrium are mostly vocal tracks, Cody decided to make a pure instrumental album this time.

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SWR Big Band – A Cool Breeze

Led by Sammy Nestico, the SWR Big Band delivers big time with A Cool Breeze (SWR Music, 2017). Nestico brings elements of fusion, swing and orchestral sounds with a mix of original songs and classics.

The saxophones: Klaus Graf, Matthias Erlewein, Axel Kuhn, Andreas Maile and Pierre Paquette; trumpets: Nemanja Jovanovic, Felice Civitaraele, Karl Farrent, Claus Reichstaller and Rudolf Reindl; trombones: music director Marc Godfroid, Ernst Hutter, Ian Cumming and Georg Maus; Klaus Wagenleiter, piano and keys; Klaus-Peter Schopfer, guitar; Decebal Badila, bass; and Guido Joris, drums, percussion, mallets and Celtic dulcimer.

“Along Came Betty” is given a pop slash groove treatment, noted especially by the rhythm guitar, drums and laid-back mood of the entire piece. Soloists are Wagenleiter (keyboard), Godfroid and Maile (tenor). The beauty of big band music comes through on this and other tracks, and that’s when different sections of instruments carry the melody at one point with others as background or counter-melody, and then another family steps up. Here, all three groups – trumpets, trombones and saxophones – take a turn.

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Michael Schmidt – Life

Composer and keyboardist Michael Schmidt longs for the golden era of fusion jazz, dominated by such groups as Mahavishnu Orchestra, Return To Forever and Weather Report. Famous names like Chick Corea, John McLaughlin, Joe Zawinul, Jimmy Haslip or Jeff Lorber have inspired this musician. Although he does not reach the level of popularity of these music titans, he has made a name in the field of fusion jazz through a variety of high-quality record releases.

With every release, he manages to gather around an illustrious band of top musicians who perfectly realize his idea of fusion jazz. On his new album Life (2017) are to find Dave Weckl, Allan Holdsworth, Scott Kinsey, Jimmy Haslip, Katisse Buckingham, Gary Novak, Andy Snitzer, Scott Kinsey, Mike Miller, Ruslan Sirota, Virgil Donati, John Daversa, Andy Milne, Jost Nickel, Mike Miller, Steve Tavaglione, Jerry Goodman, Oz Noy, Jost Nickel, Mitch Forman, Brandon Fields, Bob Mintzer, Bruce Fowler, Walt Fowler, Charlie Bisharat, MonoNeon, Larry Koonse, and Sophia Wackermann. Michael Schmidt performs on all tracks synths and sequencing.

The album was produced by bassist Jimmy Haslip, who was also involved in Michael’s previous projects. Michael chooses the quick start with the virtuoso piece Trance, which gives the participating musicians the opportunity to fully unfold their potential. With drummer Dave Weckl, late guitarist Allan Holdsworth, keyboardist Scott Kinsey, bassist Haslip and saxophonist Katisse Buckingham has this formation the firepower of the above-cited jazz fusion groups.

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Ilya Netkach – I Am

Kharkov, Ukraine born violinist Ilya Netkach’s love is music. More likely love at second sight, because of the decision to follow the call of music, matured only after he had studied in other subjects. His first project Page Not Found arrived in stores in 2015. During his period in Qatar and Bahrain he composed new songs, which he has released under the title I AM in October 2017.

Ilya performs violin, piano, and keyboards and is accompanied on his new project by Alina Kharchenko on piano (tracks 1, 2 and 4). Not the numerous attempts during the long period of creation of this album are of interest, but the result. On Burned Bridges Ilya performs the violin with burning fervor. Every chord contributes to the emotional character of the piece, whose soul finds itself on string and body with each vibrating tone. Alina Kharchenko leaves it at an indication of the melody frame without interfering Ilya’s inspired play.

Fiasco is usually the most unsuitable title for a piece of music unless you’re talking about Stockhausen’s 12-tone music. On the other hand, the violin virtuoso himself is in search of the overall-looking melody between structure and improvisation. Infamy may be influenced by Alan Parson’s Project in terms of the configuration of the synth music, that serves as a base. The treat of the violin frees from the anarchic character by following chromatic structures.

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