Posts Tagged ‘ Bass ’

Darryl Williams – Here To Stay

San Diego born bassist Darryl Williams released his first album That Was Then in 2008, which received high acclaims. Here To Stay (2017) is his sophomore project.

Like many other musicians Darryl is not confined to his principal instrument, but also performs on this album synths, strings, programming and Rhodes. The list of accompanying musicians includes illustrious names: Ronnie Foster, Marcus Coleman, Jeff Lorber (Rhodes), Tony Moore, Eric Valentine (drums), Michael Simms, Paul Brown, Adam Hawley, Ross Bolton, U-Nam, Ray Fuller, Nils Jiptner (guitars), Jonathan Fritzen, Greg Manning (piano), Michael Lington, Euge Groove, Marcus Anderson, Michael Paulo, Elan Trotman (sax), Kenneth Crouch (Rhodes, organ, synth), Allan Phillips, Jackie Bertone (percussion), Rymand Entezari (pads), Tony Guerrero (flugelhorn), Ashling Cole (vocals), Christopher Thomas (background vocals, synth) and Scott Wilkie (piano, Rhodes). Enough to fill a major festival.

Here To Stay is equally a promise and an attitude. Darryl Williams creates with this song a solid foundation with a vivid variation of basses and placing Euge Groove as second lead on soprano sax. Now or Never unites guitarist Paul Brown and pianist Jonathan Fritzen in the attempt to create an exciting melody which not only attracts the audience but stands the test of time.

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Julian Vaughn – Bona Fide

Kansas City very own bass player Julian Vaughn has already three jokers on his hand, his self-released debut The Purpose Project (2010), Breakthrough (2012) and Limitless (2015). Now he plays his fourth joker Bona Fide (2017), the third album which is released on the label Trippin’ N Rhythm.

Julian performs on all tracks with the exception of Bona Fide bass and gathered together on selected tracks some fine names of the smooth jazz scene such as Mel Brown (bass), Adam Hawley, Matt Godina, Justus West, Gerey Johnson and Mike Hart (guitar), Nicholas Cole, Jeremy Nixon, Aaron Mayfield (keyboards), Jeremy Thomas (keyboards, organ), Elan Trotman, Marcus Anderson, LeBron Dennis and Steve Cole (sax), Lin Rountree (trumpet), Lester Estelle and Marcus Finnie (drums), Anthony Saunders and Isaac Cates (vocals).

Julian Vaughn has written most of the tracks with the exception of three songs. The album takes a fulminate start with the title song featuring Steve Cole on sax and Mel Brown on bass. Steve Cole has compiled a full program with overdub and a polished arrangement, while Mel performs the bass in a Wayman Tisdale mode similar to Julian’s treatment of the bass.

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Tom Kennedy – Points of View

“Behold. The master at work,” says Ben Vereen of bassist/composer Tom Kennedy. He’s not exaggerating, as Kennedy exhibits his mastery of the instrument and of composition with Points of View (2017).

Kennedy plays electric bass, acoustic bass and keyboards. Personnel are Dave Weckl, drums; Bill Evans, soprano sax; Charles Blenzig, piano; Karla Harris, vocal on “New July”; Wes Ritenour, drums; Chuck Loeb, guitar; Bob Fanceschini, soprano sax, tenor sax; Lee Ritenour, guitar; Obed Calvaire, drums; Nick Marcione, trumpet; Randy Brecker, trumpet; Mike Stern, guitar; Richie Morales, drums; and Bob Malack, tenor sax.

Weckl and Kennedy begin “The Dark” in emphatic fashion, injecting a slight Weather Report touch. After the intro, the mood changes to something more mellow. Evans takes lead, setting the mood for an evening of romance. The tenor expresses freely, with Weckl and Blenzig offering support. Kennedy evokes memories of Jaco Pastorius when playing in the background. During his middle solo, he makes the instrument talk, much like a suitor saying sweet nothings to his darling. At just above eight and a half minutes, it’s the second-longest track in the set. That gives the listener ample time to enjoy each musician individually, and the quartet as a whole.

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Roberto Vally – Pure Lines

Brooklyn born, L.A. based, and world influenced bass player Roberto Vally calls as his influences Paul Jackson, Stanley Clarke, and Jaco Pastorius. He has played with Michael Franks, Bobby Caldwell, Paul Brown, Boney James, Boz Scaggs, Arturo Sandoval, Michael Lington, and Randy Crawford. Meanwhile you can add the rest of the smooth jazz cats to this list.

His first solo album was Boom Boom Boom (2013), described by Vally as an eclectic mix of chill, lounge, world, and smooth jazz. His sophomore album Pure Lines (2017) just hits the stores. The album is a collaboration of Roberto Vally and Jeff Carruthers, who performs keyboards, guitars and programming.

As additional musicians are mentioned in the liner notes Dave Karasony (drums), Enrique Martinez (accordion), Andrew Neu (sax), Marc Antoine (guitar, vocals), Michiyo Kitagawa (sax), Tom Schuman (keyboards, piano), Gregg Manning (keyboards), Ramses Araya (percussion), Paul Brown, Carlyle Barriteau, Federico Ramos (guitars), Nick Cedillo (trumpet, sax, trombone), Fabiana Passoni (vocals), and Christine Carruthers (background vocals).

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Brendall Rothwell – Time On My Hands

True greatness comes from the precision in the details. Bassist Brendan Rothwell seems to have come out of the blue to follow this motto. With his debut album Time On My Hands (2016) he is now in the spotlight.

Brendan performs on this album bass, keyboards, guitar and programming. Among the supporting musical friends he rounds up are Poogie Bell and Chris Bailey (drums), Sheldon Zandboer (synth, piano, programming), Luc Desharnais (pedal steel) and Chris Andrew (synth, additional piano).

The album starts with the Intro (Wake the Bass). Quiet like a panther purrs his bass to keyboards chords. The Song of Songs from the Old Testament inspired both religious and secular love poetry over many centuries. This Is the Love is Brendan’s personal praise of love.

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Mitchell Coleman Jr. – Perception

12963863_902379359861112_7432377261375069394_nWith the release of his first solo CD effort, ‘Soul Searching’, and single ‘Genesis’, an instrumental jazz/funk fusion collection that interweaves music inspired by his much admired influences, Mitchell Coleman Jr. has fulfilled a lifelong dream of creating the music he hears in his heart and feels in his soul – and sharing it with the world.

His new album Perception has definitely a funky attitude and is now on sale at Amazon.com.

John Dillard – Let’s Ride

Hailing from Rochester, NY bassist John Dillard counts to his influences famous names such as Jaco Pastorius, Marcus Miller or Nathan East. He currently performs with Stephanie Mills, LeJuene Thompson, Brian Simpson, Matt Marshak, Jeff Kashiwa, The Sax Pack, Nick Colionne, and Four80East. Now he starts his own career with the debut album Let’s Ride

While John plays on his album bass and keys, he is supported by Quantavius Dillard and Richard Jenkins (drums), Lovell Bradford and Oli Silk (Rhodes), Lin Rountree (trumpet), Buff Dillard (trombone), Joe Lindsay, Reggie Graves, Matt Marshak and Marc Antoine (guitars), Marcus Anderson (sax, EWI), Gabriel Bello (synth), Ard Sherrod Jr. (sax), Paul Whitley (keys and organ), Chad Lawson (keys) on selected tracks.

Mix deep funk with with spoken words of Quentin Tailey and heavy slides on bass and you get Funk This – The Intro. A glooming business card with what could be. Playing funk is probably the most fun thing to do with a bass guitar. This wisdom heeded John and presents the funky Let’s Ride.

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