Posts Tagged ‘ Contemporary Jazz ’

Angela Puxi – Badapapapaa

Saxophonist Angela Puxi, grew up in the Ruhr area, her origin is however Sardinia. Inspired by her aspiration for perfection and her own musical creativity, she began her studies for jazz saxophone at the Hogeschool voor de Kunsten in Arnhem (NL), where she graduated with the Bachelor of Music (Jazz and Pop).

In summer 2012 her first EP Senza Parole was released, a rather rocky-hymnal oeuvre. Authenticity, her captivating nature and her Sardinian temperament make Puxi to a distinctive sympathizer. With Volker Dorsch as keyboarder and co-producer, she found a congenial partner for developing new songs at the beginning of 2013, and finally both released in 2015 Angela’s debut album Badapapapaa.

With Ulf Stricker on drums, Thorsten Praest on guitar, bass player Goran Vujic, a very tight and stable group joined. Further musicians on selected tracks are Dennis Legree (vocals), Sebastian Studnitzky and Hans-Peter Salentin (trumpet).

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Bruno Miranda – Chapter II

Acclaimed two time Latin-GRAMMY Nominated Artist Bruno Miranda shares his new life chapter alongside renown musicians and producers, José Valentino and Jesse Pitts. This contemporary instrumental album takes the listener into an emotional life journey. The song “Emma” is Bruno Miranda’s dedication for his first daughter. This track captures the emotional aspect of fatherhood and the joy of life, highlighting and setting the tone of the care and responsibilities that come through such a life-changing event. Set “Free”, composed by José Valentino, is a song of healing and deliverance, hence the original name “Liberar”. The listener can feel relaxation and joy through this intricate instrumental piece that features each of the components of the trio.

“Chapter II” showcases the musicianship of the core members of the Bruno Miranda Trio. A journey of happiness and peace, this work reflects a heavy Latin-American influence, marked by Bruno’s Brazilian roots and American lifestyle. “Fractal Groove”, is a fun track, where the trio showcases contemporary styles that refreshes the listeners’ ears. Bruno composed the melody of “Fractal Groove” for his recital at Indiana University while pursuing his master’s degree. This song reminds him of the importance of education and learning, which are Bruno’s passion. “Forgiven (Perdonado)”, is a song of forgiveness. This is an emotional song that has carried Bruno through the deepest situations in his life journey. The melody invites a reflection of the joy after the storm, and the celebration of good things in life. “Mi Espñola Maja,” (My Spanish Crush), composed and performed by José Valentino, is a flamenco style track which brings a nice contrast of Latin styles to the album. The flamenco art style and dance can be heard throughout this track showcasing artistry through a beautiful melody.

“Experimento (Interlude),” is a song whose main focus is the featured artist Johnathan Hulett. Johnathan has created a complex drum track by multi-tracking a tambourine and a small cymbal only. Johnathan is a master jazz drummer who was able to use the most unusual ways in experimenting with music technology, to bring this track to a whole new level. “Horizon”, is a fun track with a catchy melody, which is one of Bruno’s signature styles. This is a fun piece that brings happiness and allows listeners to pay attention to the details of each instrument. “Yo Me Rindo A El, (I surrender all)”, features guest artist Cienna Alida who sings one of the most acclaimed Christian hymns. Bruno wanted to honor his mother with this track, as this is one of her favorite songs. “Feelings” is a piano only piece recorded in one take and it is a true heart-felt expression of Bruno’s thankfulness throughout his life journey. It is a deep emotional track that resembles compositions made for picture, which paints a picture of Bruno’s new life journey, Chapter II.

Chapter II is now opened at CDBaby.

Duffmusiq – Soulleash

Serbian born and Toronto based international guitarist, multi-instrumentalist and producer, Damir Demirovic also called “Duffmusiq” has just released his solo debut album Soulleash (2017).

Duffmusiq has produced and mixed the recording and performs guitar, keyboards, saxophone and bass. Further musicians on this album are Alex Sekulovski (drums), Miki Petkovski, Vasil Hadzimanov (piano), Roger Williams, Connor Walsh (acoustic bass), Ran Caspi, Rob Brown, Milosh Angelov, Yash Presswalla (electric bass), Sam Heineman & Anthony Brancati (keyboards and Hammond B3), Gilad Jacobson, Dimitar Bodurov, Anthony Brancati (keyboards), Alexis Baro (trumpet), Gyles Natalie, Quisha Wint, Wade O. Brown, Christine Hamilton, Jin Brown and Jeff Eage (vocals), Geoff Bornes (alto sax).

The inclined jazz-interested listener is subject to the mechanism of comparing the style of an unknown musician with already known ones. Duffmusiq is stylistically similar to the guitarists Ronny Jordan, Zachary Breaux and perhaps George Benson. On Interlude Solitude Duffmusiq chooses the jazzy approach with a tendency to chords. In the middle of the piece you are torn from the dreams, when the coloratura vocals of Vania Margani breaks the course of the performance. That I call a cultural surprise.

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Jason Miles – Kind of New 2: Blue is Paris

He performed with Miles Davis, Whitney Houston, Michael Jackson and Luther Vandross. Keyboardist Jason Miles is integral part of music history. In numerous solo albums he has realized his vision of music.

Kind of New 2: Blue Is Paris is different. Some artists realize the widest range of styles in their album. Others pursue a permanent theme. Still others create a continuum of homogeneity. Jason Miles has a completely diverse concept.

Jason visited Paris in the weeks immediately following the 2015 terror attacks. Under the impression of this voyage he composed Blue Is Paris. He had the idea to write a follow-up to his previous album Kind of New (Whaling City Sound).

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Kevin Eubanks – East West Time Line

Since his 18-year tenure as guitarist and music director of TV’s The Tonight Show Band ended in 2010, Philadelphia-born guitarist, composer Kevin Eubanks has been on a creative roll. On East West Time Line, Eubanks explores the chemistry he maintains with musicians on both coasts. And once again, his distinctive fingerstyle approach to the instrument is in the service of tunes that run the stylist gamut from urgent swingers to introspective ballads to Latin-tinged numbers and some get-down Philly funk.

Joining Eubanks on this stellar outing are longtime collaborator and former Berklee College of Music schoolmate, drummer Marvin “Smitty” Smith, who fuels the West Coast outfit alongside seasoned session bassist Rene Camacho, percussionist Mino Cinelu and saxophonist Bill Pierce. Smith’s East Coast counterpart on this bi-coastal session is the irrepressibly swinging Jeff “Tain” Watts, a force of nature on the kit who combines with bassist Dave Holland, Philadelphia-based pianist Orrin Evans and New York trumpeter Nicholas Payton for a potent lineup. Together these great musicians bring out the best in Eubanks’ six-string prowess and ignite his searching instincts throughout the sessions in Los Angeles and New York.

“Of course, we all came up through New York,” says the Philly guitarist who broke in with Art Blakey & The Jazz Messengers during the early ’80s. “But we also got the benefits of seeing the East Coast down and dirty and Hollywood down and dirty too. We combined both vibes on this recording-the kind of Latin vibe of Los Angeles and the straight-up swinging vibe of New York. Continue reading

Valeriy Stepanov – New Beginnings

Less ‘From Russia With Love’ And More ‘From Russia With Groove’ multi instrumentalist Valeriy Stepanov is all set to take the smooth jazz world by storm with his Skytown Records debut release, New Beginnings.  Stepanov has been identified as having the ability to traverse the entire spectrum of jazz, from his smooth jazz sensibilities, that are very much the province of New Beginnings, through to his own brand of fusion that can accurately be described ss Chick Corea meets Jeff Lorber.

Above all, what makes Valeriy stand out from the crowd is the formula he has for rhythm and melody, his unbounded energy and the sublime technique that he first learned from his father then built on by studying music theory at the prestigious central music school of Moscow State Conservatory. Not only that, with six years of recording and performing with his band vsak, Valeriy has polished these skills yet further so that now, at age 27, he is perfectly positioned to join the ever increasing band of eastern European artists to have found musical fame in the west.

The story of Valeriy Stepanov is very much a story of today, a story where the internet combined with an abundance of talent can propel a performer from the most unlikely of locations into the global spotlight. Pre-order the album at Amazon.com.

Jeff Lorber Fusion – Prototype

Jeff Lorber is the most sought keyboardist of the smooth jazz genre, but his heart is still beating for fusion jazz. Influenced by groups like Mahavishnu Orchestra, Weather Report and Return to Forever he founded the group Jeff Lorber Fusion and released in 1977 the self-titled debut album. Soon followed Soft Space (1978), Water Sign (1979), Wizard Island (1980), and Galaxian (1981).

After a period of solo albums he returned to his centerpiece with Now Is The Time (2010), Galaxy (2011), Hacienda (2013), and Step It Up (2015) on Heads Up Records. Prototype is his first album on Shanachie Entertainment. The new group consists of keyboardist Jeff Lorber, bassist Jimmy Haslip and saxophonist Andy Snitzer.

Jeff explains: “I came up with the name Prototype because we are always trying to up our game and come up with new exciting music that could be a prototype or innovative harbinger for the future of our musical style.” The project begins with Hyperdrive, a horn driven funky loaded piece of excellence. The sonic fury of high speed jazz is the ultimate platform for Lorber’s progressive fusion act.

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