Posts Tagged ‘ Jazz ’

Branly, Ruiz, Haslip – Elemental

Top musicians have a certain resemblance to star chefs. Their outstanding position is based on talent and a lot of passion. When three musical greats come together, then we experience an event of a special kind, fusion jazz in the truest sense of the word. Otmaro Ruiz, Jimmy Branly, and Jimmy Haslip form Elemental.

On the new album Otmaro Ruiz performs piano, Fender Rhodes and synths, Jimmy Branly drums, and Jimmy Haslip electric bass. Ruiz has written all tracks with the exception of Boomtown, which is from the Yellowjackets album Mint Jam (2001).

The aptly titled introduction A Good Start presents three of the most talented contemporary jazz players on the scene in a breathtaking action. Otmar Ruiz keeps the music flowing on synth and keys while Branly and Haslip provide the right rhythmic frame for it.

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Larry Carlton – The Jazz King: The Musical Compositions Of H.M. King Bhumibol Adulyadej

His Majesty King Bhumibol Adulyadej is world renowned and has a distinction of being the youngest and first Asian to be named an Honorary Member of The Vienna Academy for Music And Performing Arts. The King was lauded for the quality of his musical compositions and especially for having helped build a bridge of music tradition between east and west. I was honored to create East and West as well as to create my interpretation of this most influential music.

His Majesty King Bhumibol Adulyadej, the most wonderful King, has shown to the world that leadership is based on example. Most men follow the path of others, but the King took his machete and cut a path for others to follow him I am most honored and grateful to have been granted such an opportunity to be a small part of this historic event. Thanks to all of the STAR musicians and engineers that joined me in this endeavor. I so appreciate what each of you gave in spirit and in the music. I am honored to do this Unique, Once in a Lifetime Project. I felt a great responsibility to interpret these wonderful and diverse melodies in my own way. May all who listen Be Pleased. (Larry Carlton)

This album featuring Nathan East, Harvey Mason, Greg Mathieson, Abraham Laboriel Sr, Earl Klugh, Tom Scott and many more great musicians is available on Amazon.com.

Sheldon Zandboer – Tipping Velvet

A native of Edmonton, Alberta, Canada, a student at the University of Calgary and at the Humber College of the Applied Arts in Toronto Sheldon Zandboer became a respected music director, staff arranger and keyboardist at numerous musicals and shows.

He was member of the bands the Soul Providers and YoMoZo. In 1999 he became jazz piano/arranging/ensemble instructor on the faculty of jazz at Mount Royal University. He also worked as audio designer for some famous clients. He is currently working as a vocal coach/music director at Central Memorial High School of Arts.

Tipping Velvet (2018) is Sheldon’s first solo project. The album was recorded live off the floor at OCL Studios, Calgary, AB. Keyboardist Sheldon Zandboer is joined by George Koller on acoustic bass, Bob Tildesley on trumpet/flugelhorn, Andy Ericson on drums and singer Johanna Sillanpaa featured on I Will Wait. Sheldon has composed all tunes.

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Marcus Miller – Laid Black

Bass icon Marcus Miller, one of the top five world bass players, enjoys high name recognition. He not only possesses a high reputation among critics but also among his professional colleagues. Ever since he took over the role of host at the smooth jazz cruises, he is well known far beyond the field of jazz.

His solo albums are not pure collections of songs but conceptually planned. On his previous album Afrodeezia he themed not only Africa, but sought a close alliance with numerous African musicians. Marcus comments: “With Laid Black, I decided to bring the music right up to the present – using elements from what’s happening in urban music today. So you’ll hear hip-hop, trap, soul, funk, R&B and jazz on this album”.

Marcus performs on the new album bass, keyboards, vocals, synths, Wurlitzer electric piano, clavinet, bass clarinet, drums, and rhythm programming. Further supporting musicians on selected tracks are Marquis Hill, Patches Stewart, Russell Gun (trumpet), Alex Han (alto sax), Brett Williams (keyboards, piano, Fender Rhodes), Alex Bailey (drums, percussion), Russell Gun with New Orleans horns, Selah Sue (vocals), Adam Agati (guitar), Trombone Shorty (trombone), Jonathan Butler (vocals, guitar), Louis Cato (drums), Kirk Whalum (flute, tenor sax), Caleb McCampell (vocoder), Cliff Barnes (piano), Julian Miller (vocals), Richie Cajate-Garcia (percussion), and Take 6 (vocals).

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Marcus Miller – Laid Black

LaidBlackBass great Marcus Miller brings the influence of modern urban music to his trademark sound on his highly-anticipated, genre-defying new album Laid Black, which will be released June 1 on Blue Note Records. The album pre-order is already launched along with the lead single “Untamed” which is available to stream or download now.

It’s been three years since Miller’s last album, Afrodeezia, which The New York Times called “vibrant and expressive… music that frames his playing beautifully.” Miller says: “Afrodeezia was like a musical voyage through my history. I followed the journey of my ancestors by collaborating with musicians along the African Slave route – musicians from West Africa, North Africa, South America and the Caribbean. With Laid Black, I decided to bring the music right up to the present – using elements from what’s happening in urban music today. So you’ll hear hip-hop, trap, soul, funk, R&B and jazz on this album. The music is calm but also powerful and funky, drawing on the black musical experience. Laid Black.”

Miller recorded most of the nine tracks on Laid Black with his band in a New York studio and also recruited guest artists Trombone Shorty, Kirk Whalum, Take Six, Jonathan Butler, and Belgian singer Selah Sue. Of his band, Miller says: “My guys are incredibly talented. They play everything from bebop to hip-hop. All of the special guests I called have the same vision about jazz, which made it possible to create this mix of music. Oh and if you like bass, there’s plenty of serious bass work on this album too! Continue reading

Gabriel Mark Hasselbach – MidCentury Modern Vol. 1

Denver Colorado born trumpeter Gabriel Mark Hasselbach was last time in our focus with his album Open Invitation (2014). His new album MidCentury Modern Volume 1 (2018) is of a special peculiarity. Although a guarantor of smooth jazz Gabriel now delivers a jazz album.

Gabriel comments: “This is an exciting project for me because I was finally able to assemble my dream team. Besides the recognizable and prolific talents of saxophonists Ernie Watts and Cory Weeds, I was able to gather my longtime friends and world-class musicians Miles Black (piano), Laurence Mollerup (bass), and Joel Fountain (drums). Adding to the proceedings are Mike Taylor (vocals) and Olaf deShield (guitar) on a couple of tunes.”

The album starts with Mississippi Jump presenting Hasselbach in best form on trumpet, apparently fluent in style. Miles Black adds on piano a perfect accompaniment and a shining solo work. Jazz trumpeter Freddie Hubbard released the track Gibraltar as part of his album Born To Be Blue in 1981. Hasselbach delivers a compact version without missing important elements of the original.

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Dave Koz and Friends – Summer Horns II From A To Z

Overcoming massive scheduling problems, saxophonist and entertainer Dave Koz has again managed to win some of the best musicians for his Summer Horns project. His new dream team consists of trumpet player Rick Braun, saxophonists Gerald Albright and Richard Elliot as well as trombonist and singer Aubrey Logan, a featured artist for Postmodern Jukebox.

Greg Adams, Tom Scott and Gordon Goodwin, who also arranged the previous album, are on this recordings again. Featured artists are singer Kenny Lattimore and Sheléa Frazier, Jonathan Butler and Gloria Estefan. The press release also mentions a rhythm arrangement by Chris “Big Dog” Davis.

Summer Horns II From A To Z is based on the same principle as the previous album. Selected songs that have passed the test of time and yet remain in lasting memory. The common denominator of all songs is a horn arrangement that qualified the piece for inclusion on the album. Cross-genre, dynamic and with a certain pep.

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