Posts Tagged ‘ Funk ’

Italian Groove Collective – Italian Groove Collective

italiangroovecollectiveOn December 9 of last year, the debut album of the Italian Groove Collective (IGC) was released. This Italian national collective combines groove with jazz and funk. The album has been released both digitally and on CD, and was recently handed to me.

Fifty-five well-known musicians, all professionals, known as soloists or as session musicians, gathered during the lockdown to breathe life into this new project. Their goal was to create something new, with great artistic value, but which can be appreciated by any music lover.

The IGC is divided into a recording project, through MTmusic’s management, along with a live project. The beautiful, first single, and also the opener of the CD, ‘Smart Working’, was already heard on the radio in October 2021, and the solid successor ‘Jump Through Hoops’ in August of last year.

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Funktastic Players – Jazz On The Funky Side

307756557_530840592379334_6273308379332676138_nDavid started out his musical career as an MC/DJ during the iconic era of Sugar Hill Gang, Kurtis Blow, and Grandmaster Flash. Having spent many of his early years producing rap acts, like all producers from the era, Williams sampled soul, jazz, and funk records from the 70s.

With a thirst to re-create his own original soul and jazz music, he went beyond just sampling musical compositions. As the years passed by, the talented artist found himself finally free to do the music he always wanted to do and just the way he had in mind. Having worked in the industry his entire adult life for various independent record labels, he was able to understand the driving mantra of “brand before the band”. With the Funktastic Players’ band, Williams is focusing on constructing an immortalized brand image both nationally and internationally. The group released their first CD, ‘Generations’ six years ago and are only moving onwards and upwards.

Their newest project is Jazz On The Funky Side. Download it here.

Jeremy Green – Standing Eight

standingeightJeremy Green started playing the electric guitar when he was twelve, when he snuck into his brother’s room to strum his Ibanez Roadstar Custom. Three years later he was already playing semi-professionally in Southern Ontario, Canada in small clubs and at parties.

During the 1980s he was a guest on the music scene in and around Toronto. Since then he has recorded with famous musicians such as Mike Stern, Robben Ford, Keith Carlock, Victor Wooten and Billy Sheehan. His music could be heard locally on JazzFm as well as on the radio worldwide.

He worked on this new album, which contains 8 tracks, for a whole year. It features instrumental funk & fusion with the help of famous musicians such as drummer Keith Carlock, Mike Stern, Jimmy Haslip, Robben Ford, Will Lee, Victor Wooten, Oz Noy, Tim Lefebvre, Billy Sheehan, Michel Cusson, Rich Brown, Chase Baird, Moto Fukushima, Mark Levron and Ian Desouza.

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The Clarisse Sisters – Fire & Soul

fireandiceFrom a young age, sisters Dominique, Annick and Véronique Clarisse sang from the small island of Mauritius. Now 30 years later they still do. They have already appeared on stage or in the studio with Erasure, Basia, Incognito, Howard Jones, Matt Bianco and Chris de Burgh.

In December 1986 they were hired as singers at the hotel Le St. Géran. There they met the duo Erasure, which led to a flight to London to perform on Top of the Pops, and sing along to their album. They even came into contact with Lionel Richie. Further performances and collaborations with Basia, Incognito and others followed, until the Corona pandemic threw a spanner in the works.

But that in turn led to the recording of this album, which contains 13 tracks. They wrote the soft opener ‘Quietude’ together with saxophonist Paul Booth, followed by the beautiful ‘I Wish You Well’. They wrote the bossa title track together with manager & producer Jean-Luc Willequet, on which Basia sings along, followed by the hip-swaying ‘Hum & Haw’.

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Khari Cabral Simmons & Jiva – 5

5In the 90’s, Atlanta was a melting pot for burgeoning soul music, house music DJ’s and an underground jazz scene. Khari Cabral Simmons stood at the point where all of these met, as an upcoming bassist and bandleader. It was in this creatively fertile environment that Khari made his start in music. He started playing bass for many of the artists in the scene, such as Bilal Sunni Ali (Sun Ra), Donnie (The Colored Section), Gaelle (Naked Music) and India Arie. He also started to do recording sessions, playing on house music recordings, including a remix for KD Lang. After a few years of recording dance and soul music, Khari started looking to make his own vehicle for upbeat soulful music. It was then that he created Jiva. Jiva would go on to play all over the Atlanta area, performing alongside artists like Roy Ayers and Incognito.

While Khari Cabral & JIVA were making noise throughout the globe, Khari’s dear friend India Arie got signed to Motown Records. She asked Khari to become her touring bassist, and he accommodated the request. He spent years touring the world with India. Together, they performed on The Tonight Show, The Late Show, The Today Show, Good Morning America, The Grammys, Saturday Night Live and many more. They also spent 3 months touring with Sade. After his success as a Grammy Award winning bassist, Khari was courted by NYC tastemakers, Giant Step Records. JIVA would go on to release 3 singles, an EP and the full length album ”Sun & Moon” with Giant Step.

The era of Covid found Khari taking a break from playing live shows. That time also found Khari reflecting on the roots of his band. Watching the rise of D-Nice, the DJ that brought the nation together by playing upbeat soul music DJ-sets on Instagram, inspired Khari. After seeing so many people brought together through the music at the center of his soul, Khari began to write the next JIVA album.

The result is the new Khari Cabral & JIVA album, “5”. Khari let his dear friend and leader of Incognito, Bluey, hear his first recorded songs. After hearing three songs, Bluey got Khari a recording deal with his label, Splash Blue Music. Holding down the main vocals for this album are Atlanta vocalists Cleveland Jones and Brenda Nicole Moorer. Joining them as guests singers are Lizz Wright, Artia Lockett and Lindsey Webster. Along with his all star rhythm section, Khari lays down the funk with the intent to bring us together again as one nation under a groove!

Download the album here.

California Funk Machine – Volume 2 

CFMVolume2Paris born guitar virtuoso Emmanuel “U-Nam” Abiteboul is the driving force behind the project California Funk Machine. This year he surprised the world with Volume I, a collection of selected pieces of funk history that brought it the greatest success and had a decisive impact on it. Volume 2 is is the logical continuation with new power hits.

On Volume 2 U-Nam performs lead and rhythm guitars, talk box, Vocoder, bass, Moog bass, Rhodes, clavinet, synth guitar, keyboards, drums, horn programming and editing, lead and background vocals. The hottest Funk, Disco, Soul and Jazz Funk classics of the 70’s and 80’s in Californian style are also created by Bill Steinway (keyboards), Bob Baldwin (piano), Tim Owens (background vocals), Jorel Flynn (drums), Frank Sitborn (keyboards), Kim Hansen (keyboards), Denis Benarrosh (percussion), Michael White (drums), Freddie Washington (bass), Marva King (vocals), Tony Tatum (vocals), Kim Chandler (vocals), DJ Puzzle (sound design), Maria Grig (violin, viola), Lyudmilla Kadybaeva (cello), Joabe Reis (trombone) and Christian Martinze (trumpet, flugelhorn).

The album opens with the EWF classic Let’s Groove with the typical U-Nam vocoderized exclamation mark. Second to none follows an interpretation of George Duke’s funky Reach Out. Midnight Stars’ Midas Touch experiences a revival with the lively singer Tony Tatum. Herbie Hancock’s groundbreaking Rockit gets a wild twin.

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California Funk Machine – Volume 2

CFMVolume2California Funk Machine is not just another tribute band. California Funk Machine is not just a collection of music. California Funk Machine is a concept, a style, a coming together of like minded musical brethren to breath new life into some of the hottest Funk, Disco, Soul and Jazz Funk classics of the 70’s and 80’s.

The driving force behind what is envisaged to be a series of volumes is none other than Billboard chart topping artist, platinum producer and multi instrumentalist Emmanuel “U-Nam” Abiteboul who, since moving to Los Angeles from his native Paris, France in 2008, has built a reputation for knowing Funk like no one else knows Funk.

His contribution to California Funk Machine reaches far and wide.  As well as arranging both horns and strings, U-Nam also produces and arranges the entire album.  In addition he provides his own virtuoso input with lead and rhythm guitars, talk box, vocoder, lead and background vocals, rap vocals, bass, moog bass, rhodes, clavinet, synth guitar, keyboards, drums, editing & mixing. It places him front back and center of the entire enterprise that includes a plethora of outstanding supporting artists, including some who, back in the 70’s and 80’s, were responsible for creating some of the music that California Funk Machine is now reigniting.

Buy the CD at Amazon.com.

California Funk Machine – Volume 1

b4f5b459-03bc-d19b-c7da-b750345bab8cParis born guitar virtuoso Emmanuel “U-Nam” Abiteboul always had a great affinity for funk. This passion runs through his entire life’s work and reaches its peak with the California Funk MachineVolume I is a collection of selected pieces of funk history that brought it the greatest success and had a decisive impact on it.

Ain’t No Stopping Us Now is a song by American R&B duo McFadden & Whitehead and keyboardist Jerry Cohen from 1979. This super smash hit was already covered by the late Wayman Tisdale, Bobby Wells, Peter White and many more. U-Nam does his interpretation in a big way with multiple instrumentations and with the great singer Marva King who is known to us as the vocal accompanist of Phil Collins, Tupac Shakur, Prince, Michael Jackson, Stevie Wonder, Jimmy Cliff, Chaka Khan, and Lionel Richie.

EWF had with September their ultimate top hit in 1978 with more than 2 million digital copies. U-Nam creates a cover which is close to the original and yet has the twist that makes it worth listening to as a novelty. The Brothers Johnson had a huge hit with Stomp! in 1980, perfectly recovered by Quincey Jones on Q’s Jook Joint in 1995. Now comes U-Nam with his version bringing the song to explosion.

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California Funk Machine – Volume 1

b4f5b459-03bc-d19b-c7da-b750345bab8cCalifornia Funk Machine is not just another tribute band. California Funk Machine is not just a collection of music. California Funk Machine is a concept, a style, a coming together of like minded musical brethren to breath new life into some of the hottest Funk, Disco, Soul and Jazz Funk classics of the 70’s and 80’s.

The driving force behind what is envisaged to be a series of volumes is none other than Billboard chart topping artist, platinum producer and multi instrumentalist Emmanuel “U-Nam” Abiteboul who, since moving to Los Angeles from his native Paris, France in 2008, has built a reputation for knowing Funk like no one else knows Funk.

His contribution to California Funk Machine reaches far and wide.  As well as arranging both horns and strings, U-Nam also produces and arranges the entire album.  In addition he provides his own virtuoso input with lead and rhythm guitars, talk box, vocoder, lead and background vocals, rap vocals, bass, moog bass, rhodes, clavinet, synth guitar, keyboards, drums, editing & mixing. It places him front back and center of the entire enterprise that includes a plethora of outstanding supporting artists, including some who, back in the 70’s and 80’s, were responsible for creating some of the music that California Funk Machine is now reigniting.

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Tom Browne – Brother, Brother: The GRP/Arista Anthology

TOM-BROWNESoulMusic Records is very proud to present “Brother, Brother: The GRP/Arista Anthology,” a musically superb anthology by renowned trumpeter, musician and songwriter Tom Browne, covering his five-year tenure (1979-1984), firstly with GRP Records then with Arista Records.

From Jamaica, Queens, NY, Tom grew up in a creatively-fertile environment among other budding musicians including drummer Omar Hakim, bassist Marcus Miller, keyboardist Bernard Wright, drummer Lenny White and songwriter/musician Lesette Wilson. After being courted by several labels, Tom opted to sign with the then-fledgling GRP label, created by top jazz production team of Dave Grusin and Larry Rosen.

Following the critically-acclaimed “Browne Sugar” LP, Tom experienced his biggest commercial breakthrough with 1980’s “Love Approach” which included the massive global hit, the now-timeless funk groove, ‘Funkin’ For Jamaica (N.Y.)’, a No. 1 R&B US hit. This 29-track, 2-CD set also includes two 1991 remixes of the classic cut by the UK’s Driza Bone. Continue reading