Posts Tagged ‘ Acid Jazz ’

Pickpocket – Refraction

Pickpocket are a Melbourne band who play deep instrumental funk. Sophisticated yet unpretentious funk that stimulates your brain and activates your feet. Funk for everyone. They change musical gears with ease, resulting in a compelling live performance that celebrates the groove and embraces improvisation.

This group is recommended by editor Chris Mann. They have five albums on their belt, all available on bandcamp.

STR4TA – Aspects

Gilles Peterson has partnered with Jean-Paul “Bluey” Maunick to reinvigorate the loose, protean energy of the early-80s Brit-funk scene on forthcoming album ‘Aspects’. Long-time friends and collaborators, STR4TA sees them mine new musical possibilities out of that shared formative era.

Alongside announcing the full album project comes the release of the second single ‘Rhythm In Your Mind.’ STR4TA showcase another masterclass in wrapping a track tightly around the groove, showing off the taut musicianship of Francis Hylton, on bass, and Matt Cooper, on keys and drums.

‘Rhythm In Your Mind’ is the second single from the newly announced STR4TA album entitled ‘Aspects’ (officially announced January 11th 2021) released on Brownswood Recordings in 12” LP, CD & DD formats on March 26th 2021.

Pre-order the album now on bandcamp.

Delvon Lamarr Organ Trio – I Told You So

Delvon Lamarr Organ Trio—or as it is sometimes referred to, DLO3—specialize in the lost art of “feel good music.” The ingredients of this intoxicating cocktail include a big helping of the 1960s organ jazz stylings of Jimmy Smith and Baby Face Willette; a pinch of the snappy soul strut of Booker T. The M.G.’s and The Meters; and sprinkles Motown, Stax Records, blues, and cosmic Jimi Hendrix-style guitar. It’s a soul-jazz concoction that goes straight to your heart and head makes your body break out in a sweat.

The band features organist Delvon Lamarr, a self-taught virtuosic musician, with perfect pitch who taught himself jazz and has effortlessly been able to play a multitude of instruments. On guitar is the dynamo Jimmy James who eases through Steve Cropper-style chanking guitar, volcanic acid-rock freak-out lead playing, and slinky Grant Green style jazz. From Reno, Nevada is drummer Dan Weiss (also of the powerhouse soul and funk collective The Sextones). Dan’s smoldering pocket-groove drumming locks in the trio’s explosive chemistry.

Founded by Lamarr’s wife and manager Amy Novo, the trio started from humble beginnings in 2015, but since then has released two Billboard charting albums and toured the world to sold out venues. The trio returns now with their second studio album, I Told You So, with even heavier grooves and more confidence. It may have been several years since their most recent studio effort, but they haven’t missed a beat. The album is scheduled for release January 29, 2021.

You can pre-order the album at bandcamp.

 

Kenny Wellington – Lock It Down

Trumpet player Kenny Wellington was an original founder member of the groups Light Of The World and Beggar & Co and continues to write, arrange, produce and perform. As well as performing and recording with those groups he has recorded, arranged and played live dates with many artists from the different genres of soul, jazz funk, rock and pop. These artists include fine artists such as Tina Turner, Spandau Ballet, Paul Weller, and many others.

The inspiration for his previous album Free Spirit was to really tip the hat to all those great horn players over the years that have entranced us with the beauty of their music, Donald Byrd, Jimmy Owens, Chuck Mangione, Eddie Henderson, Freddie Hubbard, Miles of course and so many others, the sound of the tenor voices, the flute, trumpet, flugelhorn, vibraphone a touch of strings all in the mix. Kenny has tried to find the balance within, to be able to listen and enjoy, to dance and to chill, to enjoy.

His newest project is Lock It Down (2020). You can stream his album on all digital platforms. Physical CDs shall follow soon.

Gazzara – The Bossa Lounge Sessions (A Live & Studio Experience)

It’s been 25 years since their debut album “One” – over 10,000 copies sold in the pioneering era of Italian acid jazz, with guest James Taylor Quartet – and the best way to celebrate without stopping at the reissues of old material is to witness the state of health of a band that in a quarter of a century has never stopped producing and playing live. That’s why “The Bossa Lounge Sessions”, the new album of the soul / jazz / bossa trio led by the Roman keyboardist and composer Francesco Gazzara – with Massimo Sanna (bass) and Mauro Mirti (drums and percussion) – looks like a gluttonous double CD divided into two parts.

The first contains 14 songs recorded live between 1998 and 2010 on the international stages frequented by the group (Italy, Russia, Portugal, Japan, UK), with the classic bossa / jazz of Gazzara’s discography, some unreleased covers – “ Chitlins Con Meat “by Kenny Burrell ,”Do It Again ”by Steely Dan ,“ Hot Barbecue ”by Jack McDuff – and a couple of never-before-released live original tracks that date back to the acid jazz period (1996) with the band’s formation of“ One ”, which in addition to the trio it also included Gianni Del Popolo (guitar) and Alex Gigli (drums).

The second part (CD 2) instead contains 15 recordings – always live but in the studio – from a more recent period: 2013-2020. Here the repertoire is largely the soul / bossa one of the last two albums of “Gazzara – The Bossa Lounge Experience” and “Portrait In Acid Jazz” – revised and corrected in a completely instrumental key by the trio with the participation of long-time guests of the group like Dario Cecchini (sax, flute) – also present in several live songs of the first CD – and Eduardo Piloto Barreto(flute). The peculiarity does not end there: CD 2 also unveils two brand new songs by Gazzara and instrumental versions – never released before – of three Latin jazz and bossa compositions contained in the albums “Brother And Sister” and “My Cup Of Tea”. Continue reading

The BritFunk Association – Lifted

“Lifted” is the second album from The BritFunk Association, a band which includes founder and original members of Hi Tension, Light of the World, Beggar & Co and Incognito. Thirteen original tracks that maintain the early jazz funk influences of early Kool & The Gang, Blackbyrds, Cameo, Brass Construction and other heavy hitters of the genre. A collections of new songs with some funky grooves, joyful vocals and instrumental solo prowess. The band have a number of national chart records between them, giving rise to live shows that highlights the range of material that they now share on stage creating vibrant live performances. They will be back on the road after lockdown in support of this and their previous album “Full Circle”.

Get your album at Amazon.co.uk.

The Jazz Defenders – Scheming

The Jazz Defenders are a group borne out of a deep love for Blue Note Jazz, drawing on a wealth of inspiration to craft their own raw and vibrant compositions. George Cooper is one of the UK’s most formidable Jazz pianists, who at only 31 years old has already amassed a comprehensive repertoire of working partnerships including Hans Zimmer, Nigel Kennedy, U2 and The Haggis Horns.

The new album is entitled Scheming (2019). The debut album from The Jazz Defenders is released on Haggis Records, the label started by U.K funk band The Haggis Horns. Jazz has always been a massive part of what The Haggis Horns are about so this marriage was the perfect fit.

Buy the album on bandcamp.

Citrus Sun – Expansions And Visions

Jean-Paul ‘Bluey’ Maunick’s creative power is inexhaustible. Even though his main focus is the group Incognito, he still finds time for his side projects, which include Citrus Sun. Besides Bluey his group consists of keyboard player Matt Cooper, bassist Francis Hylton, guitarist Francisco Sales and drummer Francesco Mendolia. The group is completed with guitarist Jim Mullen, trumpet player Dominic Glover, the vocalists Noel McKoy, Valerie Etienne, Hazel Fernandes and Deborah Bond and finally harmonica player Rega Dauna.

Expansions And Visions is the fourth album of the group, scheduled for release August 14, 2020. The album was recorded in London and Thailand, whereby Bluey ingeniously combined tourist relaxation with record production.

The album opens with Expansions, a track that could easily be located in the 70s. Indeed the original is an album by keyboardist Lonnie Liston Smith, featuring performances recorded in 1974. Unbridled, it tests the limits of the possible, takes up the challenge of virtuosity and at the same time devotes itself to the freedom of music.

We need A Lust for Life especially in these dark times and so Bluey’s music also serves as an emotional brightener. Rega Dauna gives a new instrumental face to the piece’s effervescent liveliness. While Dominic Glover on trumpet and Francisco Sales on guitar can easily follow the geniality of the new instrumental star.

Read more …

Delvon Lamarr Organ Trio – Close But No Cigar

81rP6CHVlGL._SL1200_Delvon Lamarr Organ Trio was founded in 2015 and originally consisted of keyboardist Delvon Lamarr Dumas on Hammond B-3, guitarist Colin Higgins and drummer David McGraw. Soon after guitarist Jimmy James replaced Higgins. All members had been active instrumentalists in the Seattle music scene. With the help of Lamarr’s wife, Amy Novo, acting as manager and booking agent, the group was solidified. Originally a drummer and trumpet player, Lamarr switched to organ at age twenty-two. He said he picked up the instrument naturally by observing organist/keyboardist Joe Doria. James and McGraw had previously co-founded ‘The True Loves’, a Seattle-based 9-piece soul band.

The trio’s debut album Close But No Cigar was originally released in 2016 (on CD), and was re-released in March 2018 (on both LP and CD) by Colemine Records. The album reached number one on the U.S. Contemporary Jazz Albums chart and number three on the U.S. Jazz Albums chart.

The debut album is still available on bandcamp.

Greg Foat – Symphonie Pacifique

Strut is proud to announce the new album by UK jazz pianist, Greg Foat, ‘Symphonie Pacifique’, released on 3rd July 2020. Foat has become a versatile mainstay in UK jazz through an acclaimed series of albums on Jazzman and Athens Of The North, moving from soul-jazz workouts to library music to cinematic, haunting compositions and pastoral acid folk. ‘Symphonie Pacifique’ goes expansive and widescreen, building a lush soundscape using choral textures, harp and tubular bells. “It has been a hallmark of my previous albums to use choral voices and tubular bells to sound more like chordal instruments,” explains Foat. “I used pedal steel for the first time on these tracks.” All are showcased on the atmospheric ‘After The Storm’. “This piece was completely improvised during our last day of studio time,” continues Foat. “The assistant engineer had set up an arpeggio on the synthesizer as a metronome; the harp and guitar created an ostinato, myself and others soloed over it and we later added choir and strings. Eventually, we took the arpeggio off to leave a calm, serene piece of music.”

Upping the tempo, Foat brings in sensual groove-based tracks like the undulating ‘Anticipation’, the album title track and Groove Merchant-channelling ‘Nikinakinu’. “This was one for my stepson Nicky,” explains Foat. “I worked up this idea with him and my Zimbabwean drummer friend Sam Chagumachinyi so it has a slightly African feel to it and uses pentatonic scales.” Other tracks include the languid, simmering ‘Island Life’ and a moving tribute to KPM library legend Duncan Lamont on the reflective ‘Lament For Lamont’. “Duncan was one of the unsung heroes of British jazz. He played with Sinatra, composed some incredible library music and his 1970 album ‘Best Of The Bossa Novas’ was one of the biggest selling UK jazz albums of all time. I recorded with him for my album ‘The Mage’ a few years ago and he was genuinely the nicest guy I have ever played with. He was looking forward to working on this album but sadly passed away a couple of months before the sessions, so we really wanted to record this tribute to him.”

The album is a truly international collaboration, recorded analogue and produced by Greg Foat at London’s Fish Factory studios with strings recorded in Edinburgh and choir in Gothenburg. The album was mixed by Mattias Glava at Kungsten Studios in Gothenburg. Cover artwork is based on a painting by early 20th Century Algerian / Parisian artist Henry Valensi. ‘Symphonie Pacifique’ marks another major step forward in Foat’s evolution as one of the UK’s leading jazz pianists and composers and is released on CD, 2LP and digital / streaming.

The album is available on bandcamp.