Posts Tagged ‘ Hip Hop ’

TracisGrey – Jamais Vu

242920191_833078847407157_1764988071674882540_nTracisgrey is a keyboard player from Mozambique. He is a member of the original JAZZ PLAYAZ releases his smooth jazz succeeding LP ‘Jamais Vu’ with an exclusive Live in Apapila, Mozambique performance. Including features from Mackjunt & Lil Creepshow.

His newest creation is Jamais Vu (2021) a captivating mixture of hip hop and smooth jazz. This album is available for streaming on all digital platforms.

His quality downloads are available on bandcamp.

Jules Leyhe – Your First Rodeo

YourFirstRodeoThis ain’t your granddaddy’s blues. Heck, it ain’t even your daddy’s blues. Guitarist Jules Leyhe is on an entirely different trip. His forthcoming “Your First Rodeo” is a whimsical mashup of blues, hip hop, funk, fusion, jazz, rock and Latin music dropping September 17 on Monkey Finger Records. Producing the set with Protist, the Oakland, Calif.-based slide guitar slinger wrote the bucking bronco of an album that obstinately refuses to be categorized.

An audacious collection evading lasso, “Your First Rodeo” brilliantly juxtaposes futuristic elements with downhome “comfort” sounds. Leyhe paired inventive sonicscapes with soulful blues guitar play. Conceived and constructed using vivid fantasy, the guitarman wondered what it would sound like to pair diametrically opposed artists – or, in this case, use signature elements of the imagined artists’ unique style – on one recording. Picture Cardi B sitting in with the Buena Vista Social Club. Or Jimi Hendrix playing in Sgt. Pepper’s Lonely Hearts Club Band. Or Duane Allan jamming with jazz pianist Gil Evans.

“I wanted to create music based off of collaborations that I’ve pictured of many of my favorite artists who never actually worked together. The clearest example is picturing Jimi Hendrix playing with the psychedelic Beatles era, a wild pairing that never actually happened but sure is fun to imagine and try to create with my own flavor. My bandmates’ fantastic playing and imaginations helped me reach for this sort of potential for pairing abstract, disparate musical ideas and getting away with it, or at least creating something unique to us. This album encapsulates so many musical idioms with a gritty, urban, fun feel of an old-soul Oakland band,” said Leyhe who was empowered by his Family Jules Band – keyboardist Ian McArdle, saxophonist Nancy Wright, bassist Murph Murphy and drummer Isaac Schwartz.

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Jeff Bradshaw – Stronger

Mr. Magic Slide Jeff Bradshaw is one of the rare musicians who has chosen the trombone as lead instrument. Born in Philadelphia Jeff performed as professional musician with Erykah Badu, Jill Scott, Floetry, Darius Ricker, Michael Jackson, Earth Wind & Fire, The Roots, Musiq Soulchild and more. However his debut album Bone Deep was first released in 2003 on the label Hidden Beach Recordings. With Bone Appétit, a double album, he set a powerful signal on the same label in 2012.

In 2014 followed his live album Home on Shanachie Entertainment. Now Jeff is back with Stronger (2020) which is equivalent to a double album in size. Jeff can boast an illustrious collection of guest musicians. Troy “Trombone Shorty” Andrews, Lin Rountree, Marqueal Jordan, Paula Champion, Mike Burton, Raheem Devaughn, Robert Glasper, Christian McBride, James Poyser, Micki Miller, Conya Doss, Glen Lewis, Frank McComb, Marsha Ambrosius, Amber Navran, Jeff Murrell, DJ Jazzy Jeff, and Wadud Ahmad are to discover on the album.

The album opens with the martial title War & Thunder in which Jeff delivers a musical battle with Trombone Shorty. Sonorous sounding African drums underscore the thoroughly time-related background.

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Jef Kearns – Jazzy AF

Toronto based flautist Jef Kearns is already from his outer appearance an extraordinary manifestation. His various hats and clothes are an embodiment of his individualistic personality, which also finds its expression in his music.

Before we talk about his new album, here in short his discography: His debut album is On the Level (2009), followed by Soulfisticated (2013) and The Flute (2016). Jazzy AF (2020) is his fourth project.

Categories are not Jef’s thing. Jeff explains: “Jazzy AF is an instrumental album featuring simple melodic jazzy lines with modern pop production. The best descriptors of this project compared to my previous releases are “shinier” and “evolution.” Evolution not only of myself as an artist but as well as of the instrumental genre (which has done little to modernize itself.)”

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Marcus Miller – Laid Black

Bass icon Marcus Miller, one of the top five world bass players, enjoys high name recognition. He not only possesses a high reputation among critics but also among his professional colleagues. Ever since he took over the role of host at the smooth jazz cruises, he is well known far beyond the field of jazz.

His solo albums are not pure collections of songs but conceptually planned. On his previous album Afrodeezia he themed not only Africa, but sought a close alliance with numerous African musicians. Marcus comments: “With Laid Black, I decided to bring the music right up to the present – using elements from what’s happening in urban music today. So you’ll hear hip-hop, trap, soul, funk, R&B and jazz on this album”.

Marcus performs on the new album bass, keyboards, vocals, synths, Wurlitzer electric piano, clavinet, bass clarinet, drums, and rhythm programming. Further supporting musicians on selected tracks are Marquis Hill, Patches Stewart, Russell Gun (trumpet), Alex Han (alto sax), Brett Williams (keyboards, piano, Fender Rhodes), Alex Bailey (drums, percussion), Russell Gun with New Orleans horns, Selah Sue (vocals), Adam Agati (guitar), Trombone Shorty (trombone), Jonathan Butler (vocals, guitar), Louis Cato (drums), Kirk Whalum (flute, tenor sax), Caleb McCampell (vocoder), Cliff Barnes (piano), Julian Miller (vocals), Richie Cajate-Garcia (percussion), and Take 6 (vocals).

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Soil & “Pimp” Sessions – Black Track

Don’t let the name fool you. Soil & “Pimp” Sessions is a group of Japanese musicians whose brand of jazz is unconventional, yet noteworthy. Their new release, Black Track (Red River Entertainment, 2017) combines elements of what’s commonly known as “black music,” a mix of R&B, hip-hop and jazz.

“By Your Side” features special guests Bambu and Nia Andrews. It’s a soulful rap. Unlike conventional hip-hop where the rap and the beat are all that matters, this song is underscored by a hybrid of smooth jazz and R&B instrumentation. Bambu handles the rap skillfully, like some of the old-school artists of the genre. Andrews provides a change of mood, singing the melody in a soft, romantic style. As the song progresses, a lead vocal sings different lyrics while the title is sung in the background, following the phrase of “For Your Love,” an obscure album track from producer Peter Brown’s only release as a vocalist. The piano and soprano sax are prominent throughout.

“Black Milk” is a lively instrumental. The main theme features the soprano out front, joined by a trumpet on alternating phrases. Emphasis on bass line and percussion complementing the other instruments. The piano and soprano are frantic during their high-speed solos. And just when you think they’re about to revert to the main theme, the soprano enters a mind-blowing sequence, with the piano offering a Latin-style counter-solo.

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Kim Scott – Southern Heat

Birmingham, Alabama based flutist Kim Scott has already released the albums Crossing Over (2011) and Rite of Passage (2013). Her third album Southern Heat (2016) does not only show the flutist but increasingly more the vocalist.

Kim performs on the new album with James “PJ” Spraggins, Ron Otis (drums), Sean Michael Ray (bass), Eric Essix, Michael “Big Mike” Hart (guitar), Kelvin Wooten (rhythm guitar, keyboards, synth bass, programming), Lin Rountree (trumpet), Jim Lowe III (programming, horn arrangement), Darryl Tibbs (percussion) and more.

The starter Billie Jean is best known as one of the musical diamonds by the late king of Pop Michael Jackson. Kim Scott serves a pristine rendition of this popular song with a tasty flute. Fantastic Voyage surprises with heavy funk, a genre already adapted to smooth jazz namely by Brian Culbertson, Candy Dulfer and Wayman Tisdale.

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Jef Kearns – The Flute

Toronto based flautist Jef Kearns started his solo career with the album On the Level (2009), followed by Soulfisticated (2013) and this year The Flute.

Jef Kearns created this EP with several producers, who played all the other instruments. That explains the nature of his music, which is consistently detailed but also meticulously planned.

The flute is considered as the shyest instrument. Although it takes the most amount of air under the instruments next to tuba, the tone is overall warm, heartfelt and lovely. Its expressiveness is celebrated in the hands of masters like Nestor Torres, Alexander Zonjic, Ragan Whiteside, Dwayne Kerr or Najee.

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Nate Harasim – #Shades Of Nate

When Nate Harasim began his solo career with the album Next In Line (2007), he was literally showered with praise. Shortly after the release of his debut album, David Chackler (NuGroove Music) heard the record and signed Nate for Love’s Taken Over (2008), Nate’s first album on the anew founded label.

This big talent returned with Rush on Trippin’ N Rhythm Records in 2011. Now the eagle is landed with his album #Shadesofnate (2015) on Woodward Avenue Records. We all wish him not only a safe landing but a cool stay.

Nate comments꞉ “I’m experiencing complete creative freedom for the first time with Mark Nordman and Woodward Avenue. He encouraged me on #ShadesofNate to do whatever I wanted, to be myself – and for me, that meant putting all those genres on the album in a way that made sense.″

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Beka & Logic Project – Chillin’ in Batumi

Hip-hop meets jazz when pianist Beka Gochiashvili teams up with Jason Kibler, also known as DJ Logic. The Beka & Logic Project presents Chillin’ in Batumi (Exitus Entertainment, 2014).

Gochiashvili plays acoustic and electric pianos and synth. Kibler handles turntables and soundscapes. Also performing are former America’s Got Talent finalist Butterscotch, rap, spoken word, beat-box and sound effects; James Hurt, synthesizer and vocoder; Jaleel Shaw, alto saxophone; Lamont McCain, electric bass; and Justin Tyson, drums.

Beka plays the electric piano coolly underneath the vocal for the title song. The style is reminiscent of late 1970s fusion, the type you might expect from George Duke. Tyson’s drum play and timely crash cymbals help underscore the leads. During the middle break, Beka switches to acoustic piano. Though he has the lead, Tyson goes full throttle on the kit. Butterscotch comes back in with a haunting chant before the song shifts to full, hip-hop mode, with Kibler stepping up.

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