Archive for the ‘ Jazz Fusion ’ Category

The New Triumph – Keep on Push’n

Funk, Afro-Latin and jazz come together with The New Triumph’s Keep on Push’n (2017).

The musicians are Camilo Estrada, bass; Marc Hager, keyboards; Arie Pytel, guitar; Adam Kessler, drums; Ahkeenu Musa, percussion; Robby Beasley, trumpet on five tracks; Scott Morning, trumpet on three songs; Ariel Chi-Linh Nguyen Loud, saxophones.

“Intro Cut” is a sensational opening track. Imagine you’re at a concert, and anxious for the show to begin. Then, when the curtain finally opens, a dramatic swell, not unlike the production company fanfare that introduces a movie. That formality aside, the band shifts into a free-for-all jam. The blended horns carry the lead. Or do they? There’s so much going on from the other instruments, the bass line, the wah-wah guitar, the keys, drums and percussion. Everybody gets in on it.

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Jentsch Group Quartet – Fractured Pop

What happens when you do a lot of things well but don’t want to focus on just one or two? One possible result is a sample of each, mixed, matched, melded and blended with various combinations of the others. In other words, Fractured Pop (2017) by the Jentsch Group Quartet.

The band features Chris Jentsch, guitars; Matt Renzi, tenor saxophone, clarinet and alto flute; Jim Whitney, double bass; and John Mettam, drums.

The music moves from jazz fusion to rock instrumental, from ambient jazz to something bordering on electronica, from structured to free-form. Each musician is solid in his performance. Jentsch spices things up by playing more than one guitar on some tracks and adding some distortion effects here and there. Highlights include “Fractured Pop,” “Route 666” and “Meeting at Surratt’s.”

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Angela Puxi – Badapapapaa

Saxophonist Angela Puxi, grew up in the Ruhr area, her origin is however Sardinia. Inspired by her aspiration for perfection and her own musical creativity, she began her studies for jazz saxophone at the Hogeschool voor de Kunsten in Arnhem (NL), where she graduated with the Bachelor of Music (Jazz and Pop).

In summer 2012 her first EP Senza Parole was released, a rather rocky-hymnal oeuvre. Authenticity, her captivating nature and her Sardinian temperament make Puxi to a distinctive sympathizer. With Volker Dorsch as keyboarder and co-producer, she found a congenial partner for developing new songs at the beginning of 2013, and finally both released in 2015 Angela’s debut album Badapapapaa.

With Ulf Stricker on drums, Thorsten Praest on guitar, bass player Goran Vujic, a very tight and stable group joined. Further musicians on selected tracks are Dennis Legree (vocals), Sebastian Studnitzky and Hans-Peter Salentin (trumpet).

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Jeff Lorber Fusion – Prototype

Jeff Lorber is the most sought keyboardist of the smooth jazz genre, but his heart is still beating for fusion jazz. Influenced by groups like Mahavishnu Orchestra, Weather Report and Return to Forever he founded the group Jeff Lorber Fusion and released in 1977 the self-titled debut album. Soon followed Soft Space (1978), Water Sign (1979), Wizard Island (1980), and Galaxian (1981).

After a period of solo albums he returned to his centerpiece with Now Is The Time (2010), Galaxy (2011), Hacienda (2013), and Step It Up (2015) on Heads Up Records. Prototype is his first album on Shanachie Entertainment. The new group consists of keyboardist Jeff Lorber, bassist Jimmy Haslip and saxophonist Andy Snitzer.

Jeff explains: “I came up with the name Prototype because we are always trying to up our game and come up with new exciting music that could be a prototype or innovative harbinger for the future of our musical style.” The project begins with Hyperdrive, a horn driven funky loaded piece of excellence. The sonic fury of high speed jazz is the ultimate platform for Lorber’s progressive fusion act.

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Kenny Wellington – Free Spirit

Jazz trumpeter Kenny Wellington is one of the founders of the legendary British jazz funk band Light Of The World. Wellington is also a member of the offshoot band Beggar & Co. Kenny performed with Tom Browne, Tina Turner, Incognito, Spandau Ballet, Boy George, and many more.

His new solo project Free Spirit (2016) is inspired by the horn players of the past Donald Byrd, Jimmy Owens, Chuck Mangione, Eddie Henderson, Freddie Hubbard, Miles Davis and continues the tradition of British jazz funk and the acid jazz genre.

Kenny performs on the new album trumpet, flugelhorn, keyboards, percussion, backing vocals, all the programming and bass. Further musicians are David Baptiste (sax, flute, backing vocals), Jerome Harper (trombone), Clifford Rees (strings, violin, cello), Camelle Hinds (bass, percussion), Breeze McKrieth (guitar), Toby Baker (synthesizers), Steve Salvari (keyboards), Billy Osborne (drums), Ian da Prada (vibraphone), and Augie Johnson, Bobbie Lee Anderson, Gee Morris Osborne, David Lee Andrews (vocals).

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Jeff Lorber Fusion – Prototype

Trailblazing pianist, composer, producer and bandleader Jeff Lorber is a consummate artist who continues to push himself to new plateaus. A groundbreaking Fender Rhodes pioneer along with the likes of Herbie Hancock, Joe Sample and Bob James, Lorber has triumphed as one of the most innovative musical minds in contemporary jazz. The multi Grammy-nominated pianist’s newest CD is a sterling example of his expansive musical roots, masterfully crafted harmonic and melodic sophistication, irresistible finger-poppin’ grooves and intricate rhythmic sense. “I came up with the name Prototype because we are always trying to up our game and come up with new exciting music that could be a prototype or innovative harbinger for the future of our musical style,” says the LA based pianist. Lorber, a Berklee College of Music alum who formerly majored in Chemistry at Boston College goes full throttle on Prototype, orchestrating like an alchemist in the lab concocting a majestic elixir of jazz, soul, funk, pop, R&B and gospel.

Prototype features longtime collaborators – bassist Jimmy Haslip (founding member of The Yellowjackets) and drummer Gary Novak. “From a production standpoint Jimmy adds a ‘big picture’ element. He contributes a lot with his warm bass sound and on the road he is without a doubt one of the finest soloists out there on his instrument.” Lorber adds, “Gary’s very versatile, imaginative, super solid and gets a great sound. He really shines playing over the funky polyrhythmic grooves we record.” The newest member to the all-star unit is saxophonist Andy Snitzer, who like Lorber (and the Brecker Brothers) hails from Cheltenham, PA. Lorber states, “Andy’s got a perfect approach. It’s soulful and melodic and he is not afraid of taking the music outside a bit.” Prototype also features special guests bassist Nathan East, guitarists Chuck Loeb, Larry Koonse and Paul Jackson, Jr. and saxophonist Dave Mann, among others.

“Writing is something that I really enjoy and I’m always coming up with ideas to work on,” states Jeff Lorber, who penned nine of the tracks on Prototype and co-wrote one with Jimmy Haslip. “We put a lot of work, love and care into this record. I hope that everyone who hears it enjoys listening to it as much as we enjoyed writing and recording it. I think it’s the kind of record that will reap dividends by repeated listening because there’s a lot of great playing that you can only appreciate by really getting into it and checking out all the details.” Prototype opens with the spunky and electrifying “Hyperdrive” hinting to the euphoric musical excursion that lies ahead. The track features guitarist and Jazz Funk Soul collaborator Chuck Loeb who calls Jeff “an amazing guy and talent.” Lorber says of bassist Nathan East, who also appears on the track, “Nathan played on ‘Hyperdrive’ because I originally wrote that for his project. He played great on it so we kept it. I have to thank him for not using the track because it’s one of my favorites and the first single!” The album’s title track is a spirited and pulsating mid-tempo blues. Lorber explains, “Blues is a huge part of our music and I think Andy really brings it home with his approach to the melodies and his solos.” Saxophonist Dave Mann offers a vibrant, smoothly executed and feel-good horn arrangement on this track as well as six others. “The shout chorus on ‘Prototype’ is great,” comments Lorber. “I’m glad to also feature guitarist Michael Thompson who plays a stellar solo on the end of the song.” Continue reading

Paul Victor Project – Girl from Barcelona

paulvictorproject2The name Paul Victor is synonymous with musical virtuosity. Paul has described his style as a mix of fusion, soul, rock and blues music, utilizing a loaded amount of sweeping and legato in his playing. His main influences are Al DiMeola, Jimi Hendrix, Tony MacAlpine, JJ Cale, Yngwie Malmsteen and Paul Gilbert. Paul was born on the Island of St Lucia. Paul completed and released his solo CD, Time Machine in 2010, a CD from the heart where Paul shows his varied influences from the Scott Henderson-esque single, “Musetta,” to the blues derived, “Dance Angel.” Paul also shows the depth of his writing with the instrumental, “Farewell Don’t Cry”. His latest CD Girl from Barcelona promises to be amazing and again eclectic, with instrumentals from smooth jazz to fusion.

Paul comments: “This CD has been a pleasure to write and record. Writing this music over the last two years has been an epic journey. It is my desire that you can feel some of the emotional journey in the tracks as the energy resonates with you. Tracked over two continents, there have been a lot of people who have had a hand in influencing the music on this project, I thank you all for the impact you have had on my journey. My daughter will be happy that this project is actually completed thank you Cate. The track I’ll fly away was written by Albert E Brumley back in 1929, it was a song my grandmother would sing often, I am happy I get to pay tribute to her with the instrumental version of this widely used song”.

Girl from Barcelona is available for download only at CDBaby.