Archive for the ‘ Jazz Fusion ’ Category

Ilya Netkach – I Am

Kharkov, Ukraine born violinist Ilya Netkach’s love is music. More likely love at second sight, because of the decision to follow the call of music, matured only after he had studied in other subjects. His first project Page Not Found arrived in stores in 2015. During his period in Qatar and Bahrain he composed new songs, which he has released under the title I AM in October 2017.

Ilya performs violin, piano, and keyboards and is accompanied on his new project by Alina Kharchenko on piano (tracks 1, 2 and 4). Not the numerous attempts during the long period of creation of this album are of interest, but the result. On Burned Bridges Ilya performs the violin with burning fervor. Every chord contributes to the emotional character of the piece, whose soul finds itself on string and body with each vibrating tone. Alina Kharchenko leaves it at an indication of the melody frame without interfering Ilya’s inspired play.

Fiasco is usually the most unsuitable title for a piece of music unless you’re talking about Stockhausen’s 12-tone music. On the other hand, the violin virtuoso himself is in search of the overall-looking melody between structure and improvisation. Infamy may be influenced by Alan Parson’s Project in terms of the configuration of the synth music, that serves as a base. The treat of the violin frees from the anarchic character by following chromatic structures.

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Brian Hudson – Next Level

Atlanta, Georgia based drummer and studio musician Brian Hudson is active in various groups. To mention are The Dave Mathews Cover Band, Tonohoney, Memory Dean, Soulhound, Madoca and Momentum.

Next Level is his debut album and was released in August 2017. The album is a collaboration between Hudson and jazz/fusion musician, composer and producer Randy Hoexter (keyboard, piano). Both are joined by Adam Nitti, Joe Reda (bass), Sam Skelton (sax), Melvin Jones (trumpet), and Trey Wright (guitar). Next Level is also the name of Hudson’s new formation.

On Nyc Hudson captures the pulsating life of New York in a dynamic contemporary jazz piece. Spacious phases alternate with quieter moments with a focus on saxophone and trumpet. Seventy Eight usually defines an old-fashioned record that is played by being turned around 78 times every minute. The jazz fusion tune picks up the musical themes at a fast pace.

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Ron Otis – Stay In Your Lane

A common denominator of Earl Klugh, Bob James or Al Turner is drummer Ron Otis. You find him in addition to on recordings of Kim Scott, Lin Rountree, Brian O’Neal, Justin Young, Dave McMurray, Alexander Zonjic, Al McKenzie, Charles Greene, Randy Scott and more.

After his debut album Upfront (2009), Stay In Your Lane (2017) is his sophomore album. The album comprises nine musical works, shaped by alternating teams of musicians, in which drummer Ron Otis is the common factor and style-forming element.

Low Beat is a creation by pianist Charles Scales, who together with Ron and bassist Al Turner forms a punchy trio. The ground patterns are layered by Charles with a signature clavinet part on which he expands his spacious piano excursion. The theme accelerates in a staccato tempo, a great basis for Ron, to elaborate a filigree structure on the various percussion ensembles.

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Mitchell Coleman Jr. – Gravity

Fans of slammin’ yet radio-ready, Jazz-Funk Fusion, will rejoice upon the discovery of bassist/composer Mitchell Coleman Jr.! Coleman, a disciple of the Stanley Clarke, Larry Graham, Louis Johnson and Marcus Miller schools of The Throwdown, is still in awe of the success of the 2016 release of his debut CD, Perception. Perception is described as Mitchell’s second musical journey of self-exploration – which fulfilled Mitchell’s lifelong dream of expressing the music that’s been in his heart since he began thumpin’ basses at the tender age of 10.

The new CD Gravity was independently released in August 2017 on Mitchell’s own Soul Revelations Records label. Once again partnering with veteran Motown producer Michael B. Sutton and the first lady of Smooth Jazz Gail Jhonson, Gravity displays Mitchell’s musical growth at a whole new level. His experimental sound genre-hops from Jazz to Hip Hop to R&B proving his versatility as an artist. The new album brings the listener closer into every unfolding genius mindset of Mitchell Coleman Jr. as displayed in the infectious track “Transcendence” and the ethereal title Track “Gravity”. “One of the hidden gems on the CD is the Michael Jackson track “I Can’t Help It” penned by the legendary Stevie Wonder and featuring Ralph Tresvant ( New Editon).

The new album is featured under the topic contemporary jazz/jazz fusion at CDBaby.

The New Triumph – Keep on Push’n

Funk, Afro-Latin and jazz come together with The New Triumph’s Keep on Push’n (2017).

The musicians are Camilo Estrada, bass; Marc Hager, keyboards; Arie Pytel, guitar; Adam Kessler, drums; Ahkeenu Musa, percussion; Robby Beasley, trumpet on five tracks; Scott Morning, trumpet on three songs; Ariel Chi-Linh Nguyen Loud, saxophones.

“Intro Cut” is a sensational opening track. Imagine you’re at a concert, and anxious for the show to begin. Then, when the curtain finally opens, a dramatic swell, not unlike the production company fanfare that introduces a movie. That formality aside, the band shifts into a free-for-all jam. The blended horns carry the lead. Or do they? There’s so much going on from the other instruments, the bass line, the wah-wah guitar, the keys, drums and percussion. Everybody gets in on it.

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Jentsch Group Quartet – Fractured Pop

What happens when you do a lot of things well but don’t want to focus on just one or two? One possible result is a sample of each, mixed, matched, melded and blended with various combinations of the others. In other words, Fractured Pop (2017) by the Jentsch Group Quartet.

The band features Chris Jentsch, guitars; Matt Renzi, tenor saxophone, clarinet and alto flute; Jim Whitney, double bass; and John Mettam, drums.

The music moves from jazz fusion to rock instrumental, from ambient jazz to something bordering on electronica, from structured to free-form. Each musician is solid in his performance. Jentsch spices things up by playing more than one guitar on some tracks and adding some distortion effects here and there. Highlights include “Fractured Pop,” “Route 666” and “Meeting at Surratt’s.”

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Angela Puxi – Badapapapaa

Saxophonist Angela Puxi, grew up in the Ruhr area, her origin is however Sardinia. Inspired by her aspiration for perfection and her own musical creativity, she began her studies for jazz saxophone at the Hogeschool voor de Kunsten in Arnhem (NL), where she graduated with the Bachelor of Music (Jazz and Pop).

In summer 2012 her first EP Senza Parole was released, a rather rocky-hymnal oeuvre. Authenticity, her captivating nature and her Sardinian temperament make Puxi to a distinctive sympathizer. With Volker Dorsch as keyboarder and co-producer, she found a congenial partner for developing new songs at the beginning of 2013, and finally both released in 2015 Angela’s debut album Badapapapaa.

With Ulf Stricker on drums, Thorsten Praest on guitar, bass player Goran Vujic, a very tight and stable group joined. Further musicians on selected tracks are Dennis Legree (vocals), Sebastian Studnitzky and Hans-Peter Salentin (trumpet).

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