Posts Tagged ‘ Latin Jazz ’

Lawson Rollins – True North

Lawson Rollins’ recordings have always possessed a grand sense of travel, exoticism and adventure, narrated by the global guitarist’s prodigious and alacritous classical finger-style play that Guitar Player magazine recently spotlighted by selecting Rollins as one of the “50 Transcendent Acoustic Guitarists” of all-time. After embarking upon a creative departure on a few recent projects, the chart-topping composer-producer-musician, best known for crafting lush amalgams of contemporary jazz, world music, Latin and New Age over the past twenty years, charts a more familiar course on his tenth solo album, “True North,” dropping January 17, 2020 on Infinita Records. Yet there is a marked difference in his approach.

The prolific Rollins spent the last couple of years exploring vast horizons. Last year, he assembled “Airwaves: The Greatest Hits,” which includes the Billboard top 10 hit “World of Wonder” featuring 3rd Force and earlier this year, he released the experimental “Dark Matter: Music for Film.” Rollins also scored his first feature film, “Stay Out Stay Alive,” a multiple award-winning movie opening November 26 for which he served as executive producer of the film festival favorite. These diverse projects broadened the scope of his artistic muse, now budding in entirely new and different dimensions. Culling elements from each one, Rollins picked up his trusty acoustic nylon string guitar and utilized a fresh approach to write and produce “True North,” the first album that he produced entirely on his own. The wide array of projects also impacts the way he plays guitar, which exhibits a keener focus, discipline and restraint.

“The past couple of years have really expanded my musical horizons through my work on film music and also the single, ‘And If You Will Come With Me’ by Israeli superstar singer Idan Raichel. Those experiences forced me to hone down my quite often exuberant nylon string guitar style to suit the needs of the particular projects and also to delve more seriously into other instruments like the electric guitar, synthesizers and electronic percussion programming. With ‘True North,’ I was able to bring that new knowledge and perspective back home, in a sense, to the type of nylon string guitar-centered music that has been my true calling as an artist over the past 20 years,” said the San Francisco-based Rollins who hails from Durham, North Carolina. Continue reading

Scott Wilkie – Brasil

Keyboardist virtuoso Scott Wilkie is intrinsically a musician of the smooth jazz genre. Boundless (1999), More Than You Know (2000), Home Again: The Solo Piano Sessions (2008), The Wonder of Christmas (2013), All In (2014), Joy (2015), StudioLIVE (2017) are his known projects.

With Brasil (2019) he now focuses on Latin Jazz. The album was recorded live in studio with Scott Wilkie (piano, Minimoog, Rhodes), Jeff Olson (drums), Jimmy Haslip (bass), and Kleber Jorge (guitar). In addition to this quartet Scott invited special guests like vocalists Diana Purim (Flora Purim’s daughter), Josie James, Diana Booker, Hammond B3 player Ronnie Foster, percussionist Gibi dos Santos, conga player Kevin Winard and cellist Erdis Maxhelaku.

The principle according to which Scott chose the songs is very simple. He chose those who already gripped the listener because of their melody. What could be more natural than to start with the showpiece of Brazilian jazz. Mais Que Nada (Mas Que Nada) was  originally written and performed by Jorge Ben in 1963, and later widely known by a cover of Sérgio Mendes. Scott Wilkie throws the full volume of his piano into the balance and pushes the melody to new heights. Kleber Jorge and Jimmy Haslip add brilliant guitar and bass flavor to the whole something.

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Torcuato Mariano – Escola Brasileira

A great admirer of the work of Torcuato Mariano is the composer and guitarist Roberto Menescal: “I had the chance and the pleasure to hear “Escola Brasileira” before reaching the audience. It could have been more a guitarist, showing how much play your instrument a “waterfall of notes and technique”, as I have heard other big releases. But it’s not. Is a project to be enjoyed by your music, your compositions and large participation of wonderful artists and musicians. Torcuato, I’m sorry, but as I wanted to be that musician that you are, “wrote Menescal.

“Menescal is one of the most important composers of Bossa Nova, alongside Tom Jobim, Carlos Lyra and Vinícius de Moraes. Created songs that today are considered anthems of the movement and the popular music, as “O Barquinho”.”

Escola Brasileira is open for you at CDBaby.

Scott Wilkie – Brasil

Keyboardist Scott Wilkie has retained the youthful appearance of a competitive surfer over decades. After his move from Detroit to Southern California, a real surfer paradise, he began his creative phase with the debut album Boundless (1999), followed by More Than You Know (2000), Home Again: The Solo Piano Sessions (2008), The Wonder of Christmas (2013), All In (2014) and Joy (2015). StudioLIVE is his project for 2017.

His newest album Brasil will be worldwide released August 16, 2019.  It’s a cool collection of Brazilian favorites, featuring Jimmy Haslip, Kleber Jorge, Jeff Olson, Gibi dos Santos, Ronnie Foster and others.  The album features exciting arrangements of Brazilian favorites from Jobim, Gil, Monte, Jorge and more! Scott Wilkie and friends will be celebrating this album with two very special release concerts.

You can pre-order this album on Amazon.com.

Monty Q Pollard – All in My Head

Monty Q Pollard is a keyboardist who experienced his early life in a musical environment. His late father, Monti was a gifted master percussionist who provided the foundation for Q to explore later on in developing the ear to continue playing and learning mostly on his own, various styles of music. Q, who originates from Washington, DC, has strong Afro-Cuban, Latin and Brazilian flavor in his music as well as a feel for contemporary jazz and gospel. Q has played with with several bands beginning with High School and into the military where he helped formed a band with several soldiers from all over the country. He has played in the church for several years and is currently playing with the Aniya Jazz Band and Spirit for Jazz, both out of Wilmington Delaware.

All in My Head (2018) is his album recommended by Ronald Jackson (The Smooth Jazz Ride) as “One classy piece of art for your musical library”.

Buy this album at CDBaby.

Tomás Martin López – Rhythm Rising

New York based percussionist Tomás Martin López started his musical career with salsa bands in his local area. He additionally performed with jazz greats such as Billy Cobham, Bill O’Connell, Mark Egan, the West Point Jazz Knights, Louie Ramirez, Ray De La Paz, Lalo Rodriguez and many more.

His solo projects are On The Beat Path (2010) and Rhythm Rising (2018). The new album was recorded by Bill O’Connell (piano), David Mann (saxes & flute), Jeff Ciampa (guitar & synth), Richie Barshay (drums), Ruben Rodriguez (bass), and Tomás Martin López (congas & percussion).

The album starts with the title song. As expected with an album by a percussionist, the song is full of various rhythm elements of Latin American provenance. Phenomenal star interpret is however Bill O’Connell on piano, who deserves his distinctive jazz style, which he has rightly earned in decades of collaboration with everything that has a name in Latin jazz.

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Denny Jiosa – Mueve Tu Cuerpo

Nashville-based guitarist Denny Jiosa is often compared with Eric Clapton and Jeff Beck. Stylistically he cannot be fixed, his creative field lies somewhere between Rock, Smooth Jazz and Latin Music.

Moving Pictures (1995), Inner Voices (1996), Jazzberry Pie (1998), Among Friends (1999), Body 2 Body (2002), Dreams Like This (2008) are his solo albums, followed by the band album JIOSA On the Edge (2011). Now Denny Jiosa has with Mueve Tu Cuerpo (2018) Latin tinged jazz in his focus.

Denny plays guitar on all tracks and adds his vocals on selected tracks. Further lead vocalists are Janet Kenyon and John Santos. Keyboardists are Kenny Zarider and Pat Coil, bassists Keith Kenyon, Chris Kent, Gary Branchaud, drummers Raymond Massey and Chester Thompson, percussionists Glen Caruba, Eric Darken and John Santos. Hollie Farris plays the trumpet, Roy Agee trombone and Phil Keaggy guitar.

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