Posts Tagged ‘ Latin Jazz ’

Ricardo Bacelar – Ao Vivo No Rio (Live In Rio)

The discography of Brazilian composer and pianist Ricardo Bacelar is still manageable. After his debut album In Natura (2001), followed Concerto para Moviola (Concerto for Moviola),  a live album, recorded in 2015 during the Guaramiranga Jazz and Blues Festival at the Via Sul Theater, Fortalezea, Ceara, Brazil, and Sebastiana (2018). Now he returns with his second live album recorded in May 2018 at The Blue Note in Rio, Brazil aptly titled Ao Vivo No Rio (Live In Rio).

Ricardo was accompanied by guitarist João Castilho, saxophonist and flutist Danilo Sina, double bassist Alexandre Katatau, drummer Renato Endrigo and percussionist André Siqueira. Most of the repertoire of the live album covers compositions of the groundbreaking Brazilian musicians Milton Nascimento, Tom Jobim, Gilberto Gil, Flora Purim along with American greats Benny Golson, Horace Silver, Pat Metheny and Chick Corea.

Ricardo considers his album, which was recorded in the intimate circle of the 300-seat Blue Note, an incentive to return to live performances after the end of the pandemic. Ricardo comments: “People need the warm sound and feelings of live music as opposed to the electronic stuff we hear on studio recordings. By listening to this live album, you can embrace the warm sound from the safety and comfort of your home.”

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Ricardo Bacelar – Ricardo Bacelar: Live in Rio (Ao Vivo No Rio)

Like here in the US, Brazil is being ravaged by coronavirus, making it impossible for people to go out to hear live jazz. Early on in quarantine, Brazilian jazz pianist Ricardo Bacelar (http://ricardobacelar.com.br) realized that it would be quite some time before clubs and concert venues would reopen so he decided to release a concert recording of his band performing at The Blue Note in Rio to remind music fans what live jazz sounds like. Filled with the unique energy, warmth and ambiance that is live jazz, “Ricardo Bacelar: Live in Rio (Ao Vivo No Rio)” drops August 21 as a digital-only release.

During this period of dramatic change impacting the world, Bacelar chose to release a version of the Milton Nascimento classic “Nothing Will Be As It Was (Nada Sera Como Antes)” as the first single from “Live in Rio.” The duet sung in Portuguese by Bacelar and Brazilian vocalist-pianist Delia Fischer will begin collecting playlist adds this month.

The “Live in Rio” album was recorded two years ago while Bacelar was celebrating the release of his “Sebastiana” album. The set-list consists of songs written by Brazilian icons Nascimento, Tom Jobim, Gilberto Gil and Flora Purim along with American greats Benny Golson, Horace Silver, Pat Metheny and Chick Corea. Also included is a composition that Bacelar wrote with producer Cesar Lemos (Ricky Martin, Paulina Rubio) titled “Sernambetiba, 1992” from “Sebastiana.”

Source: Great Scott Productions

Jimmy Haslip – Nightfall

Bassist Jimmy Haslip has released in his solo career only three albums. His debut album Arc came out in 1993. His sophomore album Red Heat was released in 2000 on Unitone Recordings followed by Nightfall in 2010 on VIE Records. The latter two albums are now newly released on Blue Canoe Recordings.

Like its predecessor, Nightfall is a collaboration between Haslip and Joe Vannelli. Jimmy performs on his album electric and fretless bass, additional synths,  baritone guitar. Joe Vannelli plays keys, programming, Rhodes, piano, organ, orchestration.

They are supported on selected tracks by Bob Mintzer (tenor sax), Katisse Buckingham (flute), Wayne Bergeron (trumpet), Steve Tavaglione (alto and soprano sax), Judd Miller (EVI), Jason Hann (percussion, congas), Jimmy Branly (timbales, bongo), Roger Burn (vibraphones), Ross Vannelli (acoustic guitar), Stella Castellucci (harp), Lori Perry (vocals), and The Perry Sisters (background vocals).

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Jimmy Haslip – Red Heat

Bassist Jimmy Haslip is commonly known as founding member of the jazz fusion group the Yellowjackets. He mainly spreads his wings in the jazz fusion genre where he is involved as a sideman in numerous collaborative projects. He is also very popular as a bassist in the field of smooth jazz.

Compared to his frequent collaborations, his solo releases are somewhat sparse. His debut album Arc was released in 1993. His sophomore album Red Heat was released in 2000 on Unitone Recordings followed by Nightfall in 2010 on VIE Records. The latter two albums are now newly released on Blue Canoe Recordings.

Even though it is a solo album, Red Heat is a joint project of Haslip and Joe Vannelli. Jimmy performs on his album electric bass, acoustic bass guitar, synth bass, fretless bass, additional keyboards, drum and additional percussion programming, background vocals, horn arrangements. Joe Vannelli plays keyboards, synth bass, drum programming, additional percussion programming, horn and string arrangements.

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Ricardo Bacelar – Nothing Will Be As It Was

Brazil is leading the world per capita in coronavirus cases making it unlikely that people will be cramming into a concert venue anytime soon to hear live music. Then there is the recent unrest that erupted in response to civil injustices in the US that bodes to spark meaningful change around the world. These are the events that inspired contemporary jazz pianist Ricardo Bacelar to release a new version of the Milton Nascimento classic “Nothing Will Be As It Was (Nada Sera Como Antes)” as a single ahead of the release of his “Live in Rio (Ao Vivo No Rio)” album, which drops August 21 from Bacelar Productions.

“‘Nothing Will Be As It Was’ summarizes the existential questions raised globally by the coronavirus pandemic. Add to it the civil injustice and unrest that has surfaced over the last couple of weeks with Black Lives Matter, which is an especially important movement. We’re talking about the subject here in Brazil, too. We have a lot of problems with racism here, but our people have not yet taken the streets to protest and have social demonstrations. The world is watching the United States and people are talking about these issues everywhere,” said Bacelar who produced the 11-song “Live in Rio” collection.

Bacelar’s 2018 album, “Sebastiana,” contains a very different version of “Nothing Will Be As It Was,” which was sung in English by American singer Maye Osorio and accompanied by an animated video that suited the pop-electronic rendition of the song. The new live version has a different arrangement and features Bacelar dueting with Brazilian vocalist-pianist Delia Fischer in Portuguese backed by a jazz band. Continue reading

Eddie Daniels – Night Kisses: A Tribute to Ivan Lins

“It’s jazz, it’s beauty and it opens the heart.” That is how six-time GRAMMY-nominated horn player Eddie Daniels describes his forthcoming album, “Night Kisses: A Tribute to Ivan Lins.” Slated to drop July 31 on Resonance Records, the new collection is the second chapter in a trilogy devoted to iconic Brazilian composers and the follow up to the 2018 GRAMMY-nominated “Heart of Brazil: A Tribute to Egberto Gismonti.” Both albums were produced by the series’ conceptualizer George Klabin.

Daniels, who is best known as a clarinetist and tenor saxophonist accomplished in both jazz and classical music, has a long history of playing Brazilian and Latin music. However, he admitted to “being kind of a dummy about the specific great Brazilian composers that I was about to tackle when George approached me with the idea for the trilogy, but I have this clave (Afro-Cuban groove) in my body as much as anyone because I just love this music so much.”

Klabin selected a dozen tunes from Lins’ songbook for “Night Kisses,” which closes with an original composition by GRAMMY and Emmy winner Bob James, “Ivante,” inspired by and named for Lins. When Klabin sent the music to Daniels, the multi-hornplayer only knew one song, “Amor,” and the material itself presented a challenge. Continue reading

Lawson Rollins – True North

Guitarist Lawson Rollins has already captivated audiences and critics alike with a multitude of albums. Infinita (2008), Espirito (2010), Elevation (2011), Full Circle (2013), Traveler (2015), Infinite Chills (The Remix Sessions) (2015), 3 Minutes to Midnight (2017), Airwaves: The Greatest Hits (2018), Dark Matter: Music For Film (2019) are to be mentioned.

Meanwhile he is ranked as one of the 50 Transcendent Acoustic Guitarists of all time by Guitar Player Magazine. His newest album True North is scheduled for release January 17, 2020 on Infinita Records. Lawson performs on the new album acoustic, electric and nylon string guitars, drum programming, keyboards. He is joined by Dave Bryant (drums, percussion), Mads Tolling (violin, viola), Dan Feiszli (acoustic and electric bass) and Stephen Duros (electric guitar on With The Wind, addition keyboards). Lawson Rollins has composed all songs.

True North shows the right direction in which Lawson Rollins travels. Lawson intelligently combines different finger style techniques and guitars to an impulsive guitar playing. With The Wind combines Spanish acoustic guitar school with strong rock elements to a tour de force.

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Lawson Rollins – True North

Lawson Rollins’ recordings have always possessed a grand sense of travel, exoticism and adventure, narrated by the global guitarist’s prodigious and alacritous classical finger-style play that Guitar Player magazine recently spotlighted by selecting Rollins as one of the “50 Transcendent Acoustic Guitarists” of all-time. After embarking upon a creative departure on a few recent projects, the chart-topping composer-producer-musician, best known for crafting lush amalgams of contemporary jazz, world music, Latin and New Age over the past twenty years, charts a more familiar course on his tenth solo album, “True North,” dropping January 17, 2020 on Infinita Records. Yet there is a marked difference in his approach.

The prolific Rollins spent the last couple of years exploring vast horizons. Last year, he assembled “Airwaves: The Greatest Hits,” which includes the Billboard top 10 hit “World of Wonder” featuring 3rd Force and earlier this year, he released the experimental “Dark Matter: Music for Film.” Rollins also scored his first feature film, “Stay Out Stay Alive,” a multiple award-winning movie opening November 26 for which he served as executive producer of the film festival favorite. These diverse projects broadened the scope of his artistic muse, now budding in entirely new and different dimensions. Culling elements from each one, Rollins picked up his trusty acoustic nylon string guitar and utilized a fresh approach to write and produce “True North,” the first album that he produced entirely on his own. The wide array of projects also impacts the way he plays guitar, which exhibits a keener focus, discipline and restraint.

“The past couple of years have really expanded my musical horizons through my work on film music and also the single, ‘And If You Will Come With Me’ by Israeli superstar singer Idan Raichel. Those experiences forced me to hone down my quite often exuberant nylon string guitar style to suit the needs of the particular projects and also to delve more seriously into other instruments like the electric guitar, synthesizers and electronic percussion programming. With ‘True North,’ I was able to bring that new knowledge and perspective back home, in a sense, to the type of nylon string guitar-centered music that has been my true calling as an artist over the past 20 years,” said the San Francisco-based Rollins who hails from Durham, North Carolina. Continue reading

Scott Wilkie – Brasil

Keyboardist virtuoso Scott Wilkie is intrinsically a musician of the smooth jazz genre. Boundless (1999), More Than You Know (2000), Home Again: The Solo Piano Sessions (2008), The Wonder of Christmas (2013), All In (2014), Joy (2015), StudioLIVE (2017) are his known projects.

With Brasil (2019) he now focuses on Latin Jazz. The album was recorded live in studio with Scott Wilkie (piano, Minimoog, Rhodes), Jeff Olson (drums), Jimmy Haslip (bass), and Kleber Jorge (guitar). In addition to this quartet Scott invited special guests like vocalists Diana Purim (Flora Purim’s daughter), Josie James, Diana Booker, Hammond B3 player Ronnie Foster, percussionist Gibi dos Santos, conga player Kevin Winard and cellist Erdis Maxhelaku.

The principle according to which Scott chose the songs is very simple. He chose those who already gripped the listener because of their melody. What could be more natural than to start with the showpiece of Brazilian jazz. Mais Que Nada (Mas Que Nada) was  originally written and performed by Jorge Ben in 1963, and later widely known by a cover of Sérgio Mendes. Scott Wilkie throws the full volume of his piano into the balance and pushes the melody to new heights. Kleber Jorge and Jimmy Haslip add brilliant guitar and bass flavor to the whole something.

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Torcuato Mariano – Escola Brasileira

A great admirer of the work of Torcuato Mariano is the composer and guitarist Roberto Menescal: “I had the chance and the pleasure to hear “Escola Brasileira” before reaching the audience. It could have been more a guitarist, showing how much play your instrument a “waterfall of notes and technique”, as I have heard other big releases. But it’s not. Is a project to be enjoyed by your music, your compositions and large participation of wonderful artists and musicians. Torcuato, I’m sorry, but as I wanted to be that musician that you are, “wrote Menescal.

“Menescal is one of the most important composers of Bossa Nova, alongside Tom Jobim, Carlos Lyra and Vinícius de Moraes. Created songs that today are considered anthems of the movement and the popular music, as “O Barquinho”.”

Escola Brasileira is open for you at CDBaby.