Posts Tagged ‘ Stanley Clarke ’

Stanley Clarke – Up

UPLegendary bassist Stanley Clarke considers his Mack Avenue Records release, The Stanley Clarke Band’s UP, to be the most energetic, rhythmic and upbeat album that he has ever done — and with more than 40 solo albums under his belt, that’s saying quite a lot. Clarke’s signature bass virtuosity and technical acumen is present throughout, but the enjoyment he had in making this album is also apparent. Unlike his predominantly acoustic bass work on the last few albums, UP is almost equal parts electric and acoustic bass.

“My aim here was to make a record with my friends. Every single recording session was nothing but fun,” says Clarke. “Surrounding myself with people I enjoy being with made the sessions effortless. Everyone came prepared and ready to play. All were great musicians and they came to the studio to give everything they had.”

Much like his last Grammy® Award-winning album, Stanley Clarke Band, this new release features the inclusion of former bandmates pianist/keyboardist Ruslan Sirota and drummer Ronald Bruner, Jr., who toured with him for seven years and were Clarke’s co-Grammy® Award-winners for the Best Contemporary Jazz Album of 2011. Two of Clarke’s current touring band members, acoustic pianist Beka Gochiashvili and drummer Mike Mitchell, are also represented on the album. Both are quite young, in their teens, and talented way beyond their years. Continue reading

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Stanley Clarke – The Stanley Clarke Band

A new Stanley Clarke album is an event for me and his legions of fans. On this, his 3rd album for Heads Up International, he has surrounded himself with – and given great credit to – some of the world’s top young players in the jazz-rock arena. He’s also got drummer Lenny White in to share production duties.

And what a joy: even from the first bar of Ruslan Sirota’s ‘Soldier’ you know it’s a Stanley Clarke album. That distinctive bass sound cuts like a knife and always has something to say! This song alternates between melancholy and rockin’ out and comes to us at an appropriate time when the leaders of the UK and USA are discussing how and when to end at least one senseless conflict. Of course, it continues the theme of his previous solo release ‘The Toys of Men’. ‘Fulani’ was penned by long-time Clarke collaborator Armand Sabal-Lecco and is a fascinating mix of groove and drama, pulled off in a way that Clarke has made his trademark.

I also enjoy Clarke’s forays into ballad territory. I loved ‘What if I Forget the Champagne?’ from ‘East River Drive’ and I love ‘Here’s Why Tears Dry’ which showcases the searing guitar of Charles Altura, sounding like Jorge Strunz on Caldera’s ‘Sky Islands’ album. But funk is what I live for and in the updated version of an old song, ‘I Wanna Play for You Too’, I get plenty! Dirty, low bass with voice box and a chugging groove that doesn’t stop!

‘Bass Folk Song # 10’ is a funky solo piece from a series that began on an earlier album, sandwiched between a very blue, minor-key intro and fade. Which of Stanley Clarke’s fans doesn’t know the blissful ‘No Mystery’ from his RTF days? This time the staccato piano figure is provided by Hiromi, who really makes this song her own with a beautiful solo amid the rocky flavour that the song has in this version. The band rock it up, funk it up and even skank it up but it remains the Chick Corea masterpiece we know and love. Live, this must be knockout!

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Stanley Clarke – The Stanley Clarke Band

Unlike his previous acoustic bass releases, Stanley Clarke feels that this album’s music is fresh and different from just about anything he’s done before. Produced by Clarke and Lenny White, the range of collaborative material on The Stanley Clarke Band has allowed him to venture to new levels of experimentation, utilizing his arsenal of bass instruments. Clarke compares this new release to the first three albums of his solo career: Journey to Love, Stanley Clarke, and School Days, with long extended electric pieces that take the listener on a kind of journey.

“Technically, it’s a Stanley Clarke record, but it’s very much a band-oriented record at the same time,” says Clarke. “I may be the leader, but everyone played an important role in what emerged. If a project like this can be looked at like a ship, I’d be the one steering the ship and keeping everybody on course. But all hands were definitely on deck, and everyone played an important role in getting us to our destination.”

Also a new foray for Clarke, the album includes original compositions from members of the band. He is joined by Stanley Clarke Band keyboardist Ruslan Sirota and drummer Ronald Bruner, Jr. – who have been performing and recording with him for the better part of five years. Innovative young musicians, they have virtually grown up in Clarke’s band and bring a freshness he admires. Following 2009’s highly-acclaimed Jazz In the Garden, this is featured artist Hiromi Uehara’s second Clarke recording collaboration. Clarke’s rugged and complex bass work serves as the ideal foil for her trademark fiery and expressive piano chops, as reflected through critics’ praising it as “a superb trio effort” (Bass Player) and “one of the best jazz CDs of the year” (San Jose Mercury News).

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