I met with dee Brown, an inspirational guitarist, composer, producer and arranger. Hailing from Detroit he has currently released his albums No Time To Waste (2006) and A Little Elbowroom (2009).
hbh: dee, what is the history of the title of your second album?
dee: After the completion and success of my first CD “No Time To Waste,” I thought the appropriate title of my recent release should be “A Little Elbowroom” because we really had just a little “elbowroom” left over to produce this one.
When I refer to “elbowroom,” I’m simply looking for enough room to move around freely. And when I mention “freely,” I’m talking about cashing in on the opportunity to maneuver easier within the music industry. Because of Nu Groove Records’ history and reputation of supporting artists like Jay Soto, Michael Lington and Bob Baldwin, we felt more than comfortable with the elbowroom Nu Groove promised us.
We were blessed with three wonderful producers for this project. Chip Dixon, from Detroit, who has worked with William Murphy Jr., Sean “Puffy” Combs and Dark Child (Rodney Jergenson) was joined by fellow Motor City resident Valdez Brantley, who is Usher’s music director, and a producer-keyboardist, who has also worked with Sean “Puffy” Combs, plus New Kids on the Block, Mary J. Blige and Teddy Riley.
The third member of the production team is my label mate Nate Harasim, another Detroit area native whose resume highlights several CD cuts as a Smooth Jazz pianist. One of Nate’s recent projects includes a session with De’Nate, where the vocals of Deborah Connors is showcased. Darren Rahn also contributed on tenor sax. You can add Jay Soto, Nick Colionne and Norman Brown to the list of artists Nate has worked with. Our CD also features the bass of Dave “The Painter” Henderson and Valdez’s brother, Kern Grantley, who is also the music director for Neo, Dezie McCullers on sax, Frank McCullers show casing the trumpet and the vocals of Gerard Brookes.
If you listen carefully, you’ll pick up the way I express my love for the guitar, as it is carries each track’s melody, and truly provides the true essence of knowing what having “A Little Elbowroom” is really all about.
Continue reading A Conversation with dee Brown