Posts Tagged ‘ Future Love ’

U-Nam – Future Love

Paris born guitar virtuoso Emmanuel “U-Nam” Abiteboul is showing his generous side again. With fifteen tracks on his new album Future Love he provides us with plenty of good music. Future Love is U-Nam’s positive view of things.

A large number of top-notch musicians have participated in this gigantic project. U-Nam performs guitars, bass, keyboards, synth bass, Vocoder and also made programming and editing. Further musicians are Alex Al, Dwayne “Smitty” Smith (bass), Denis Benarrosh (percussion), Fran Merante, Michael White (drums), Christian Martinez (trumpet & flugelhorn), Andrey Chmut (sax), Valeriy Stepanov, Mathias Roos, Bill Steinway (Rhodes), Frank Sitborn (Rhodes and Clavinet), Maria Grig (viola and violin), Kim Hansen (B3 organ),  Tim “Tio” Owens, Kim Chandler (vocals), and Shannon Abiteboul (sax and flute).

U-Nam loves it terrific and so the album starts with Changes uncomprisingly, volume pulled on maximum. The result is like a musical battle of George Benson and Nile Rodgers. The unbridled passion is also the main driving force of the title song and and with all the stops from George Benson’s stylistic wardrobe is the enthusiasm of the audience in the bag.

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U-Nam – Future Love

Sometimes the making of music can be uplifting. At other times it can simply be entertaining. Yet in the case of Future Love, the brand new release from writer, producer and guitarist extraordinaire Emmanuel “U-Nam” Abiteboul the activity has been nothing short of cathartic.

From the debris of a complicated divorce that occurred in Autumn of 2018, this musical trendsetter with nine Top30 Billboard hits to his name has used the creative process to purge the emotions and relieve the tensions that for a while hung heavily upon him. Not only that, with the title Future Love he is making a bold statement as to what might come next, a message that particularly resonates through the zesty title cut which also happens to be the first single serviced to radio.

Indeed with eleven of his own compositions plus two sublimely selected covers “Future Love” shines with an optimism for the future that U-Nam clearly has. That said, far from being guilty of self-indulgence, he remains totally focused on the detail that invariably makes U-Nam’s music special. This extends to the way he deploys live drums throughout and real strings for songs such as “Changes” and the dazzling “Good Old Days” that come courtesy of Maria Grig on violin and viola. Continue reading

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