Novello – B3 Soul

Do you remember James Taylor, Roger Smith, Stephen Pfister, Mauri Sanchis, Kimo Cornwell, George Mitchell, Rickey Peterson? All artists are playing the legendary Hammond B3. This is is the instrument for the ultimate jam. John Novello is also caught by the “organic” virus. Obsessed by this instrument he studied the music of Brian Auger, Keith Emerson, Joe Zawinul and more of these legends.

After moving to L.A. Novello had a big hit with the formation A Taste of Honey. Gigs followed with Donna Summer, Manhattan Transfer, Ramsey Lewis, Edgar Winter, Ritchie Cole, Chick Corea and more. Some of his solo albums are Always & Forever (2004), Threshold (2004), and Organik (2005). His album B3 Soul (2008), which is released on the nuGroove label, is a big party maker.

“It’s always been my dream to be in a groove project such as this. I’ve been a B3 player all my life and I love burning or I wouldn’t be doing it. You see, a long time ago I was bitten by the pocket groove bug!”

Starting from his earlier hit Novello requests Show Me The Honey. Novello pushes the keys and let it groove. With B3 Soul Novello connects to contemporary sound. Hip-hop beats are a top basement for the ultimate turn up. Don’t miss Novello’s video on YouTube.

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Jay Soto – Mesmerized

When I raved in 2005 about Jay Soto‘s debut album, “Long Time Coming is his pave stone of virtuosity for a hopefully not so long way to musical celebrity”, I didn’t expect such a rapid rise of this striving guitarist.

Well, two years later Jay Soto had himself established on the charts and signed a contract with NuGroove Records releasing his sophomore album Stay Awhile. And his career continues with his new album Mesmerized (2009).

The title sums up the effect of Jay’s guitar performance. Like on his previous album Jay is supported by great producers. Michael Broening, Darren Rahn and Mark Riddick signed as responsible. But Jay produced this time a great part of his album himself at his own SotoPop Studio in Glendale, Arizona. Jay is joined by such veritable artists as Freddie Fox (rhythm guitar), Mel Brown (bass), Michael White (drums), Michael Broening (keyboards and programming) and some more guest musicians.

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Miles Stiebel – Excellent Distraction

Miles Stiebel defines himself as special event artist. This honorable title is justified by numerous events presenting this musician on his instrument, the violin. A violin in contemporary jazz is rather unusual. Miles has a fearless explanation: “People often tell us how much they like the way we blend the sound of the violin and saxophone or the violin and guitar, so you will hear some nice conversations between these instruments in my music.”

Miles’ first CD No Hassle Miles (2007) features his version of the Beatles’ classic And I Love Her which has been played on over 65 jazz radio stations in the U.S. and Canada and Miles’ original composition A Great Day which has been played in rotation on The Weather Channel.

Now Miles is back with his sophomore album Excellent Distraction (2009). Miles is supported by Gerry Kunkel (guitars), Pete BarenBregge (sax), Dan Reynolds (piano, synthesizer), Steve Fdyk (drums), Mark Russell (bass), Sam Turner (percussion), Bob Dawson (additional percussion), Kevin Burns and Mike Crotty (trumpet, flugelhorn), Doug Morgan (sax), Ben Patterson (trombone) and a group of strings.

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The L.A. Chillharmonic – L.A. Chillharmonic

Education plays a central role in the busy life of Professor Richard Smith. Settled in the L.A. jazz scene Richard played with Dan Siegel, Kenny G, Richard Elliot, Rick Braun and many more. His first album Inglewood was followed by nine further solo albums.

His newest project is called L.A. Chillharmonic assembling the contemporary jazz star alliance of Brian Bromberg (bass), Vinnie Colaiuta (drums), Alex Acuna (percussion), Jeff Lorber (keyboards), Patrice Rushen and Greg Karukas (pianos), Greg Adams (trumpet), Gary Meek, Michael Paulo, and Eric Marienthal (sax).

“It’s something that represents the best and brightest in my geographic area,” says Richard Smith. “Most major cities have a philharmonic orchestra in the classical idiom, and some cities have municipal jazz bands, but no city has something that represents a major musical genre like instrumental jazz/funk/pop/R&B. And with this project I just wanted to represent and celebrate the unique musical signature as Los Angeles players, writers and arrangers.”

The first album of this all-star group was released on Aug 26, 2008 and as Richard confirmed it will not be the last one. The album starts with L.A. Chillharmonic, the new anthem of the west coast. While Richard Smith\’s guitar is the melody leader his fellow-musicians deliver brilliant contributions on their instruments.

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The Rippingtons – Modern Art

The Rippingtons are a formation with a high impact on the smooth jazz genre. No other group has gained such a great popularity in the last twenty years. Guitarist and band leader Russ Freeman formed the group in 1986. Current members beside Russ are Dave Karasony (drums), Bill Heller (piano), Ricardo ‘Rico’ Belled (bass) and in addition a sax player.

Eric Marienthal, Paul Taylor, Jeff Kashiwa, Brandon Fields, Dave Koz and Kenny G were all former members of the group. On the new album Jeff Kashiwa returns to the project. While the group played on their earlier albums contemporary or fusion jazz they have performed since 1999 more smooth jazz.

Obvious reason for this development was the previous success and prosperity of this genre. Some critics awaited with the 18th album a return of the group to the contemporary jazz scene. Although the new album is a step to more ambivalence, which is certainly a positive aspect, The Rippingtons are still a band listening to the audience and the market.

All songs were composed, produced and arranged by Russ Freeman. He had even hands on the mixing and recording process. Russ explained in an interview with Shannon West his strong influence: “This time I decided that what I would submit to them was the finished guitar tracks. All the guitar tracks were completely done first and they played to them.”

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Noel Webb – Give It All

That guitarists are fans of Jimi Hendrix is a common thing, but that a violin player is a disciple of this guitar hero, is somehow unusual. We are talking about the violinist Noel Webb who discovered new directions of music.

Beside his live as an actor (General Hospital, Mad About You, FBI-Untold Stories, etc), and as a writer of film scores (History of Violence, Butterfly Effect, 2 Fast 2 Furious, Seabiscuit, etc.), he is also a passionate musician. Webb performed with blues legend John Hammond, John Coltrane’s band, Grover Washington, Jr. and rock icons like Blood, Sweat and Tears, The Tubes and REO Speedwagon.

His previous solo projects are Satin Sheets (2000), The Soul Of (2003) and the single The Big Bang (2007).

His new album Give It All (2009) offers only five tracks. Noel explains: “I really wanted to create something that was easily accessible for fans, yet reflected the intensity of my live performances. There isn’t any filler in this CD. All five songs are rock solid as a collection, yet each one is packed with enough energy to stand alone as a single download. Fans are demanding better quality for their money and I intend to give it to them.”

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Cassandra Wilson – Closer To You: The Pop Side

Jackson Mississippi born jazz vocalist, songwriter and producer Cassandra Wilson can look back on a rich solo career. She received Grammy Awards for Best Jazz Vocal Performance for her album New Moon Daughter (1996) and for Best Jazz Vocal Album for Loverly (2009).

She is also known by her collaboration with alto saxophonist Steve Coleman, who encouraged her to look beyond the standard jazz repertoire in favor of developing original material, and the M-Base collective, in which Coleman was the leading figure.

Her new album on Blue Note Records is entitled Closer To You: The Pop Side (2009), a collection of covers of pop and rock hits. With her unmistakable voice she gives each song a new finish.

The album starts with Love Is Blindness, a song from U2’s 1991 album, Achtung Baby. Cassandra had already performed this melancholic song on her album New Moon Daughter which received high acclaims especially because of her luscious interpretation.

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