Archive for September, 2014

Smooth Jazz Cafe – Smooth Jazz Cafe

smoothjazzcafeThis new project, set to be released September 30 on Purple Pyramid Records, features Australian jazz fusion great Frank Gambale, former Dire Straits guitarist Hal Lindes, Stan Getz sideman and current member of Fourplay, Chuck Loeb, and the Grammy nominated Denny Jiosa. And the whole thing is helmed by the supremely talented, multi-Emmy winning Brian Tarquin, who wrote all of the songs and produced the album as well as performs on it.

Hal Lindes waxes poetic about the project and its leader, calling Tarquin a “supreme maestro of the Gold Top and Marshall Stack” and describes the Smooth Jazz Cafe album as “an exquisite journey fueled by steel and wood, glowing hot tubes and Celestion speakers being pushed to their limit and beyond.”

Denny Jiosa shares “Brian and I met several years ago at the Gavin Smooth Jazz radio convention when we had simultaneous hit records. Great melody, tasteful playing, warm tones, and smooth grooves are always delivered by Brian! I am honored and excited to trade musical lines with such a versatile player!” And finally, Chuck Loeb offers “I had a lot of fun playing on it. The band killed!”

You can pre-order the album at Amazon.com.

Kiki Ebsen – Scarecrow Sessions

As a jazz vocalist you are faced with the decision to present your own compositions or songs from the American Songbook. The first testifies to creativity, the latter is more popular but also more challenging. However it exposes you to the comparison and competition with a wide variety of other artists.

Singer Kiki Ebsen has chosen the American Songbook, to honor the memory of her father, the great actor Buddy Ebsen. Scarecrow Sessions stands out because of its cultural diversity and professionalism of the musicians involved. John Patitucci (bass), Henry Hey (piano and organ), Chuck Loeb (electric and acoustic guitars), Clint de Ganon (drums) and David Mann on saxophone and flute.

Kiki comments꞉ “The songs included are taken from my father’s career in movies and musicals, songs he loved, and his original works″. The album opens with You Don’t Know What Love Is, originally sung by Carol Bruce for the Abbott and Costello picture Keep ‘Em Flying. You learn to appreciate the value of a treasure only when it is lost. The bittersweet of this knowledge is internalized by Kiki with sensuous voice.

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The Uptown Band – Heart, Soul, Body, & Mind

HeartThe Uptown Band has grown beyond its regional roots and become a truly national and international sensation since the release of their stylistically eclectic, critically acclaimed full length album debut Waiting For Her. Their sophomore CD “Heart, Soul, Body, & Mind” dives into the group’s versatility even more. TV-wise, they have performed twice on NBC New York’s Late Night talk show “All Night With Joey Reynolds”. In addition to having their own listing on Pandora Radio, their songs “Waiting For Her,” “I’m Breathless” and “You Treated Me Good” have been heard on the national cable system Music Choice and DMX Satellite Radio.

“We formed The Uptown Band with the intent of being able to do any type of show, and we originally started with a set list of only cover material,” says Erich. “As we have evolved, we have not only diversified our sound but incorporated a lot of strong original material, which inspired us to become independent recording artists as well. While we’ve enjoyed an inspiring amount of success in our home state and the Northeast, doing from 150-200 gigs a year at one point, we’ve always had our eye on becoming a band that performs all around the U.S. and eventually, throughout the world. We’ve got a big sound that is hard to contain, and we want to share the musical joy with as many people as possible.”

Erich and Jenifer each bring a unique musical background to their leadership of The Uptown Band. Shillington native Erich, whose versatility includes playing all saxes, flute and clarinet, was a featured vocalist and saxophonist with the Bobby Mercer Road Show. Jenifer, a native of Reading, PA, has been singing since the age of five. She began studying voice at age 8 with David Rutt and became heavily involved with the Reading Civic Opera and Genesius Theatre, landing leading roles in “Annie,” “The Music Man,” and “Peter Pan.” At age 14, she began working with producer Scott Verret and recorded jingles, commercials and theme songs for Easter Seals and The United Way. Combining her incredible vocal talent with her songwriting skills, Kinder has become one of the most sought-after female vocalists in the Northeast. In 2004 she released her original debut CD entitled Show Me More.

Heart, Soul, Body, & Mind is available at CDBaby.

Rodney E. Foster,Sr – Nagoya

NagoyaThis CD is a reflection of my travels with the bands I’ve been in. In 1979, I was the lead vocalist and percussionist on tour with the band, Strong. The band performed at a night club called The Penthouse II. It is located in Nagoya, Japan. So this is a dedication to the city because I had a wonderful time there.

While trying to make it in this music business, I had to deal with many record company rejections. As a result, I decided to start my own company and release my music myself. “Nogoya” is my third project on this label. I already have three more CDs ready for release in the years to come — I’ve been busy! I hope my listeners enjoy. Now check this album at CDBaby.

Itamar Borochov – Outset

Debuts for jazz artists can be challenging. Some play it safe, reinventing standards or covering pop tunes. Others are more adventurous, delivering not only original material but going beyond the cookie-cutter, radio format-friendly tunes but testing the listener: Do you want your jazz to be quick, catchy, familiar? Or do you want something more complex, something you haven’t heard before?

It’s the latter that’s targeted by trumpeter/composer Itamar Borochov. Outset (RealBird Records, 2014) features seven original songs, totaling approximately 55 minutes. Accompanying him are Hagai Amir, alto sax; Avri Borochov, bass; and Aviv Cohen, drums.

“Pain Song” is an epic piece. At nearly 13 minutes, it offers the artist plenty of space to express. The mood is dark, brooding. The trumpet begins softly but rises when joined by the sax. All this is part of the setup. Then, Borochov goes exploring, with bass and drums representing the rugged terrain he must cross. After a few minutes journey, Amir takes point, going in a different direction but with the same sense of wonder. The pair rejoin and gradually wind down, accented by Cohen’s cymbal splashes.

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Brian Culbertson – Breathe

BreatheContemporary jazz luminary Brian Culbertson continues to commemorate his 20th anniversary as a recording artist in a prolific way with two vastly different projects: his first live album, which will be recorded during a four-night stand (September 11-14) at Yoshi’s Oakland, and the release of a 31-minute solo piano piece entitled “,” created as therapeutic accompaniment for relaxation, massage, yoga and meditation.

Last February, Culbertson kicked off the celebration with the release of “Another Long Night Out,” an outing on which the hitmaker was joined by an all-star ensemble on a revamped version of his 20 year-old debut disc, “Long Night Out.” The first release on his new BCM Entertainment label became his sixth session to debut at No.1 on the Billboard Contemporary Jazz Albums chart and spawned “Fullerton Ave.,” his 27th No. 1 single as an artist, producer and songwriter. Backed by his six-piece band, he then launched the “Brian Culbertson Live: 20th Anniversary Tour,” which will be preserved for posterity when all eight shows at Yoshi’s are recorded with the best moments culled for the live collection. The set list will be comprised of fan favorites from Culbertson’s chart-topping catalogue consisting of 14 studio albums plus one new track that he wrote with long-time writing partner guitarist Sheldon Reynolds.

“I really wanted to capture this moment in time because it is such a milestone,” said Culbertson about the live album slated for release on his next birthday, January 12, 2015. Tickets for the Yoshi’s engagement are expected to sell out and anyone who preorders the album at the show will have their name included in the album’s liner notes. Continue reading

Elan Trotman Group – #liveanduncut

#liveanduncutBarbadian-born Jazz Sax-Man Elan Trotman presents The Elan Trotman Group and #LiveandUncut. A 10-song collection of Caribbean Jazz-Fusion which features the saxophone and steel pans.

The 6-member band was formed in Boston, and comprises of all Berklee College of Music Alumni. The project showcases original Caribbean-Jazz compositions, and pays tribute to jazz legends Sonny Rollins and Chick Corea.

“This album showcases some of my best song writing to date, and my main goal was to capture all of the performances in a live setting – reminiscent of the classic jazz albums. I’m especially excited for the addition of the steel pans. They have really helped to define this fresh and unique sound that we have discovered as a band and we can’t wait to share our music with the masses.” Elan Trotman.

This album filed under contemporary jazz is now on sale at CDBaby.

Mike Murray – Playtime

PlaytimeNew Jersey’s own Mike Murray, an independent composer/producer is (quoting one industry spokesman); “in a league by himself and clearly has re-defined the musical genres known as “Chill-Out” and “Smooth Jazz” by blending them masterfully”. Mike calls his self-described musical genre “Chazz” but fans of Bob James/Fourplay, Hiroshima and Jazzmasters will feel right at home with Mike’s expanding repertoire and unique musical style.

His new EP Playtime is now on sale at CDBaby.

Steve Khan – Subtext

I’ve said on occasion that Steve Khan can do no wrong. Having heard his solos in performances with some of my old favorites, Maynard Ferguson and Steely Dan, I’ve come to know a different side of him as a solo artist. He never disappoints. Subtext (Tone Center Records, 2014) further validates the point.

The lineup is Khan; Ruben Rodriguez, electric bass and baby bass; Dennis Chambers, drums; Marc Quinones, timbale, bongo and percussion; and Bobby Allende, conga and bongo. Keyboardist Rob Mounsey performs on a few tracks and handles orchestrations for several others.

Special guest Randy Brecker plays flugelhorn on the first track, “Bird Food (Comida para Pajaros),” an Ornette Coleman remake. Quinones and Allende get quite busy beneath the leads as Khan and Brecker carry the melody. After the opening sequence, Brecker delivers a bright, sunny solo. When it’s his turn, Khan moves seamlessly between single notes and chords. Guitar and flugelhorn blend for tightly syncopated phrases several times during this piece. “Blue Subtext,” one of three original songs on this date, has a placid, tropical vibe. Mounsey comes through a bit more. Khan puts the guitar through a few high-speed passes, yet he does it in such a way as not to sound like he’s speeding up the song. That mellow, easygoing feel is present throughout.

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King”G” Sauce – Twisted Ground

Twisted GroundMy music has always been inspiring. The spirit behind the music is just as important as the music itself. I want people to feel every note, every tone, every movement (pick one that fits you) of every instrument and how it is being articulated. it’s like being one with nature. Self awareness is also what this music implies, of your state of mind. My music also brings healing to people of all backgrounds. You will not walk away the same.

Twisted Ground is shaking at CDBaby.