Archive for August 9th, 2010

George Duke – Déjà Vu

His imposing appearance signals: George Duke is the heavyweight of contemporary jazz. His music is legend and inestimable. George has performed with the most important musicians of the last century and his spectrum ranges from jazz to funk, from soul to pop.

His previous album Dukey Treats (2008) was a funky mental, physical and spiritual healing. The return to the funny funk in the style of George Clinton’s Parliament. His new album Déjà Vu is another flashback to the sound of the past.

“The whole idea behind Déjà Vu was to take a look back at some of the stuff I used to do that was a little more musically challenging,” comments Duke. “In some way or another, whatever happened before always comes around again. It may be a little different, but it will resurface. That’s kind of what this album is – a resurfacing of some ideas I had back in the ‘70s when I recorded albums with a lot of synthesizers, like Feel and The Aura Will Prevail.

George Duke welcomes on his new album many great musicians of the smooth jazz scene like Michael Manson (bass), Paul Jackson (guitars), Ronald Brunner jr. (drums), Nicholas Payton (trumpet), Everette Harp (sax), Ray Fuller (guitar), Bob Sheppard (sax) and many more. He holds all cards in his hand with a full house.

The introducing track is simply entitled A Melody. Latin flavored in the good old fashion way singers Terry Dexter, Lynne Fiddmont, Lamont Van Hook and Shannon Pearson let it swing. George Duke’s sophisticated approach to the synthesizers speaks a lot about his deep masterly knowledge of these instruments.

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