Part sass, part throwback. That’s the recipe for Book of Rhapsodies (Accurate, 2013), the second outing by the Ghost Train Orchestra.
The ensemble consists of Brian Carpenter, trumpet, slide trumpet and voice; Andy Laster, alto saxophone, flute; Dennis Lichtman, clarinet; Petr Cancura, tenor saxophone, clarinet; Curtis Hasselbring, trombone; Ron Caswell, tuba; Mazz Swift, violin; Tanya Kalmanovitch, viola; Avi Bortnick, guitar; Michael Bates, double bass; and Rob Garcia, drums. Additional players are Brandon Seabrook, banjo on “The Happy Farmer,” Matt Samolis, flute on “The Children Met the Train” and “Revolt of the Yes Men,” and the Book of Rhapsodies Choir: Yolanda Scott, soprano; Katie Seiler, mezzo-soprano; Mazz Swift, alto; Tomas Cruz, tenor; Brian Carpenter, baritone; and Joe Chappel, bass.
Book of Rhapsodies is a different kind of cover album. Instead of the usual offerings by jazz greats or the American Songbook, Ghost Train revisits some off-the-beaten-path compositions. These songs are adapted from recordings by the Alec Wilder Octet, the John Kirby Sextet, the Raymond Scott Quintet, and Reginald Forsythe and His New Music.