Reviewing instrumental music is always a challenge. Finding a way to express in words what a song or album concept sounds like, and doing it in a manner that helps the reader make a decision on whether to buy a recording, all without being redundant or using clichés is not an easy task.
The challenge is even greater when it comes to solo piano. So you can rest assured that if a writer does review such a work, the recording more than warrants it. Such is the case with Manuel Valera’s Self Portrait (Mavo Records, 2014).
Valera decided to focus on four elements in creating this work. He wanted to present his jazz influence, covering songs by Bill Evans, Bud Powell and Thelonious Monk; his Cuban roots with two Latin jazz pieces; his classical influence, with the “Impromptu” selections; and his own compositions. For this date, Valera plays a restored 1918 Steinway D.